Event Calendar

25 December 2005

The Top 50 Albums of 2005

It's that time again kids. The time where the end of the year lists come in. So, in the next few days, you'll see various postings about what was good and bad in 2005. As for the first installment, here's the first installment of 50 best albums of 2005.

50. Animal Collective - Feels



Highly praised by Pitchforkmedia and other indie music authorities, Animal Collective's follows their equally "different" album Sung Tongs with another equally "different" album. I never really liked Animal Collective but this album made me realize how great they truly are. No other group can make yips and yaps like these guys.

49. Stellastarr* - Harmonies for the Haunted



Stellastarr* follows up their great album two years earlier with Harmonies for the Haunted. What disappoints me about this album is that they didn't follow the winning formular from their debut. Also, most of the songs are dry, and very typical. However, there is a certain beauty in the harmonies that this record gives to its listener. And it's this beauty that makes this one of 2005's top albums

48. Antony & The Johnsons - I'm a Bird Now



At first, I wasn't too keen on this record. It sounded like blues meets gospel. However, after a few listens, I stand corrected. Antony's voice is just amazing, and the way he hits the right notes at the absolute right time is just astounding. It's a beautiful record that's deep in meaning and rich in sound.

47. The Clientele - Strange Geometry



The problem with the Clientele is that all their albums sound alike. Indeed, if you were to put your Clientele tracks on shuffle, you probably couldn't tell which songs are from which album. Although this is a problem, The Clientele still makes one of the finest music 60's dream pop around. Alasdair's voice is like no other, and just the richness and symbolic overtones here can make any macho man turn into a pussy.

46. The Dirty Three - Cinder



I was first introduced to Dirty Three this year by a couple of friends and I can't believe that they were not even in my radar. How could I miss this great band that just plays beautiful strings? As my friend put, music that is like an "aural seastorm." Their music creates this air of wonder and melancholy in any confined space. I'm disappointed that I missed their two great shows at GAMH, but that's for reasons beyond my control. This album, although not as great as their previous releases, still carries that same signature Dirty Three sound. A definite must-buy if you're into the wonder and melancholy stuff.



45. Doves - Some Cities

I was a bit worried that Doves will not create an album as good as Lost Souls. Although Some Cities is still but a shadow of their debut, it's still a fantastic album. "Black and White Town" is a direct rip off from that "Heatwave" song, but it's still a great single. Other parts of the album are pretty strong. If anything, this album resuscitated their career.

44. Hard-Fi - Stars of CCTV

Definitely one of the better bands this year, Hard-Fi's debut arrived unnoticed in this part of the Atlantic. While NME was hyping up this band (as they are accustomed to doing to every other new English band out there), Hard-Fi live up to the hype. Their mix of guitar and synths is the perfect accompaniment to any night out.

43. Hot Hot Heat - Elevator





Hot Hot Heat's sophomore relase is a lot like their first. If it ain't broke, why fix it, right? "In the Middle of Nowhere" is a great single, along with "Pickin' It Up" which is reminiscent of "Bandages."

42. Iron & Wine and Calexico - In the Reins



Sam Beam and Co. collaborate with indie mainstays Calexico to create one of the most underrated albums this year. The shear beauty of this album will make you want to cry and be happy at the same time.

41. Ivy - In the Clear

Ivy's latest attests to their staying power as one of the most established bands in the indie pop circuit. Mrs. Durand's beautiful voice remains the same here, with great songs like "Thinking About You" and "Tess Don't Tell" interspersed throuhgout this great album.

40. Maximo Park - A Certain Trigger

One of the many bands who rode in the coattails of Franz Ferdinand, Maximo Park's debut album is an absolute gem full of great songs girls can dance to. "Apply Some Pressure" is definitely the best track in the album, with its bangin' drums and scratchy guitars that immediately catches your attention. However, like that song says, I do hope that Maximo Park is "still alive next year." I don't see much longevity for this band, but this album will at least maintain some of their legacy for a few years
.

39. The National - Alligator



A beautiful album full of melancholy melodies and impressive musicianship. The National's sophomore debut debunks the sophomore slump theory. As great as this album is, they made one miscalcuation -- choosing to promote this album with Clap Your Hands Say Yeah! as the opening band.



38. Out Hud - Let Us Never Speak Of It Again


An odd pick, but I do think that this album is pretty damn good. It's dancey, and it shows this band improving their sound and creativity with each successive release.

37. Shout Out Louds - Howl Howl Gaff Gaff



Another great band that hails from Sweden. Shout Out Louds' "Comeback" song is definitely one of the better singles of 2005. This album is solid, and emits the right amount of pop that won't drive you crazy like Wannadies or depress you like the Cardigans.

36. Sons and Daughters - The Repulsion Box



While some bands rode the Franz Ferdinand bandwagon, this band was actually hailed by Franz Ferdinand. So much so that they are in the same record label. Sons and Daughter's debut sounds like a mix of rock ala Johnny Cash with some hints of Franz Ferdinand in there. An album that is a little rough around the edges, but that's the way we like it.

35. Spoon - Gimme Fiction



I don't know if Britt Daniel actually intended to create an album that is very dancey, but, hey, it works. A definite surprise from Spoon.



34. Stephen Malkmus - Face the Truth



Ex-Pavement front man proves that there is still life after Pavement. Several albums later, Stephen Malkmus still knows how to make a great LP. I mean, this album really is just another Pavement record. But that's just my opinion.



33. The Tears - Here Comes the Tears



Anderson & Butler re-unite to create an album that should have been Suede's third album. But after such a long hiatus with one another, does anyone still care? Well, I do!



32. Metric - Live It Out



Metric somewhat deviated from their synth based sound to something more guitar driven. Emily Haines still knows how to sing and act accordingly on-stage. Songs like "Handshakes" and "Patriarch on a Vespa" makes this album a must buy. However, it still pales in comparison to their debut.



31. Okkervil River - Black Sheep Boy



This album is one of the most underrated releases of this year. Absolutely beautiful. Do yourself a favor and catch this band live.

30. M83: Before the Dawn Heals Us



Another triumphant release from this band. Despite losing his other half, Anthony Gonzalez still creates a fantastic album that emits a wall of sound. Not to mention the ominous horror movie like voice overs in some of the songs.

29. Field Music - Field Music



What do you get when you have one former Futurehead and one current Maximo Park member in a band? Well, you'll have Field Music. This album is not yet out domestically in the U.S., but it's definitely a good one. Has that post punk sound, but is sort of melodic. Does that make any sense? I guess you just have to listen to it to believe it.

28. M.I.A. - Arular



Definitely one of the breakthrough albums of the year, M.I.A.'s debut is a strong one, with lyrics, rhymes and hooks that are just downright catchy. Her voice might take a little getting used to, but I can't help but dance a lot to this album. Equally good is her "Piracy Funds Terrorism" bootleg, with good mash-ups of M.I.A.'s songs with classic tracks such as The Eurythmics' "Sweet Dreams."

27. Xiu Xiu - La Forêt



Compared to his previous albums, Xiu Xiu's current release is their darkest work to date. Jamie's haunting and crass lyrics about politics and life are even more prevalent here. This is definitely one of Jamie Stewart's most honest and, probably, his most brilliant.

26. Clor - Clor



A very dancey record that starts off strong, but eventually weakens solely towards the end. One can only take 80's style synth pop so far, you know. But for what they have in the beginning, such as "Outlines" and "Danger Zone," you won't really mind.

25. Kaiser Chiefs - Employment



They are hailed as the new Blur of our generation. With such catchy songs like the now overplayed "I Predict a Riot" and "Modern Way," this album is a good one. Although I'm skeptical on whether they'll have the longevity of Blur, their live acts definitely emit Blur's former energy.

24. The Boy Least Likely To - The Best Party Ever



Some say that twee is dead. With Belle & Sebastian leaving the twee sound and going towards something more 60's Donovan catchy. However, Boy Least Likely To are trying to revive the twee sound - and I think it's working. Don't let the cute song titles like "I'm Glad I Hitched My Apple Wagon To Your Star" fool you. Within that cute framework and twee voice is an excellent song with subtle musical nuances. Definitely one of the great finds of 2005.

23. Ladytron - Witching Hour



Electroclash is dead. Fischerspooner tried to revive their electroclash fame by re-making their sound, but that failed. Adult. is still trying, but they fell by the wayside. I don't think Miss Kittin's done anything signifcant, nor has Felix Da Housecat. However, England's Ladytron is still chugging along despite the end of the genre. Their third album doesn't deviate much from Light & Magic, but I think that's the good thing. Instead of re-making themselves so they can ditch the electroclash backlash, they continued to create songs indie kids can dance to. Songs like "Everything You Touch" is a great example, so much so that lots of my friends call it their "jam" song. So, cheers to Ladytron for still being alive, despite being associated with a subgenre that's dead.

22. Youth Group - Skeleton Jar



Oh, oh! It's another band that eerily sounds like Death Cab for Cutie. So, why is that a bad thing? What's wrong with strong lyrics, great harmonies, solid guitar melodies and a nice voice? Yeah, I don't see anything wrong with that. Even Death Cab endorses this band.

21. The New Pornographers - Twin Cinema



My goodness, this album is just oozing with indie pop goodness. A.C. Newman's vocals accompanied by Neko Case's spunk and backing vocals is a formula that's hard to fuck up. Add to that a dizzying array of three chord pop progressions and an ode to Valencia St. somewhere in your songs, and your album is guaranteed to be in my Top 50. They're great live as well.

20. LCD Soundsystem - LCD Soundsystem



There's more to this album than "Daft Punk is Playing in My House." There are some fantastic tracks in this great DFA record such as "Tribulations," "Yeah" and, in the bonus disc, "Yr City's a Sucker." Just the constant beats in this record, and the cowbell action, will make you want to dance a whole lot. Fantastic album!

19. Sleater-Kinney - The Woods



I have to admit, I never really liked Sleater-Kinney until this album was released. I refused to listen to their other records, but for some reason, I liked this one. Why? I have no idea other than, maybe, because my ear has matured enough in years. Yes, I'm underdeveloped, but this great album of female angst is less loud and dissonant than their previous records.

18. Sigur Ros - Takk...



Damn. These Icelanders continue to make great fucking music. When I first got a hold of this album, I couldn't find any tracks worth skipping. A few months later, I still don't have any disliked tracks. Takk means "thank you" in Icelandic, so "Takk" Sigur Ros for another great release.

17. Bright Eyes - Digital Ash in a Digital Urn



I guess every artist is allowed to have their "concept album" and this is probaby the closest that Conor will have in his ever expanding discography. Even though these songs didn't translate that well live during his tour, this album still has some excellent songs such as "Gold Mine Gutted" and "Take It Easy (Love Nothing)." Whether you like it or not, Oberst is the Dylan of our time.

16. The Bravery - The Bravery



This is the cheeziest album of the year. However, it's also one of the most catchiest. Yes, the Bravery just take the whole 80's synth pop thing and get away with bloody murder. But you know what, songs like "Honest Mistake," "No Brakes" and "Unconditional" are some of the songs that I can catch myself tapping my toes to and then dancing like crazy. Yeah, I like to dance to the Bravery. You got a problem with that? Didn't think so.

15. Gorillaz - Demon Days



Who would have thought that the next Gorillaz album would be this good? Damon and his new collaborators, namely Danger Mouse, really have outdone themselves this time. There are some fantastic singles in this album, like "DARE," "Feel Good Inc." and "Dirty Harry." Bravo to Damon. I hope he can do the same to the upcoming Blur album.

14. Low - The Great Destroyer



This is a radical departure from previous Low records. They basically abandoned their super melancholy sound and opted for something that is borderline indie pop music. Well, I like this album a lot. "California" and "Everybody's Song" are the stand out tracks in this album. Oh, and is it just me or does it sound like Damon Albarn singing?

13. We Are Wolves - Non-Stop Je Te Plie en Deux



I found out about this band later in the year, and I'm kicking myself in the arse for missing them at Bottom of the Hill. Stupid! How can I miss this band that's just full of great noise. Like their canine counterparts, Wolf Parade, these guys also hail from Canada and are just the epitome of cool sounds. Awesome.

12. The Decemberists - Picaresque



My friend turned me on to the Decemberists after hearing their epic, 10+ minute song from The Tain EP. I then got a hold of this album and it's just fantastic. Colin Meloy is a smart cookie with lyrics that are just so literary that...it's just beyond me how he makes this shit up. Fantastic album!

11. Franz Ferdinand - You Could Have It So Much Better...



This album has been in my car CD changer for months now and I just can't get sick of it. Every time I listen to it, I first put it on "Do You Want To." The single that makes me go crazy on the dance floor and makes me do the Indie Shake in the car, "Do You Want To" is a very simple song that has one of the most infectious lyrics and guitar hooks that Franz Ferdinand has ever made. It's this album's "Take Me Out." Then, I switch to "Outsiders" because of the catchy bass and drum parts in the very beginning. Infectious. Like The Strokes, Franz Ferdinand doesn't really deviate much from their debut formula, except for the "slow" songs "Walk Away" and "Eleanor Put Your Boots On."


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These are my 10 most favourite albums of 2005. Let the debate begin:

10. Broken Social Scene - Broken Social Scene



It was hard for me to believe that BSS will come up with another masterpiece like "YOu Forgot It In People." I mean, how can they? Well, they proved me wrong. I've already heard of "Shoreline" when they played it live, but the other songs in this album shows how much more BSS has to offer.

9. Coldplay - X & Y



Elijah Wood doesn't think too highly of this album. So I read. But, he doesn't know jack shite. This album is fantastic even if there is only one or two tracks in here that stand out. "Fix You" is the song that will make Coldplay's legacy live in perpetuity. It's the song where every sad sap on planet Earth can relate to. It's so versatile that you can apply it to any situation such as a lost love, a mistake you did in an exam or that one time you left your keys in the car and was stuck for hours upon end...in the snow...during Christmas...with a dead body in your trunk. Yeah, it's that good.

8. Death Cab for Cutie - Plans



My goodness, what is Ian thinking? He turned all O.C. on us by picking Colpdplay and NOW DCFC. Well, screw you guys. I like this album. "Marching Bands of Manhattan" is one of the best DCFC songs I've ever, ever heard. Like Coldplay's "Fix You," "Marching Bands..." is another song that you can apply to any situation. I applied this song to a time in 2005 where I was in my most depressed state. "If I can open my arms.." Yes. I want to open my arms to hug you. "Sorrow drips from your heart, through a pinhole." Yes. There was plenty of sorrow dripping out of my heart. It was gushing like Niagra Falls though. "It slowly rises, your love is gonna drown." Yes. It's drowning. I'm drowning. Help me! Thank goodness my sanity is back, but this song alone made this album great for me. Of course, there's "Crooked Teeth" and "What Sarah Said," but "Marching Bands..." Oh, "Marching Bands..." But, "Crooked Teeth" kept me in check. "'Cos you can't find nothing at all, if there was nothing there all along." That line kept me in check. Because, it makes sense, right?

7. Bloc Party - Silent Alarm


One of the most hyped bands of 2005, Bloc Party delivered the goods when others, included myself, doubted whether they'd make it big. They're a hard working bunch, constantly touring the U.S. and playing every venue imaginable in San Francisco. They are such nice boys too that are against moshing and any sort of shenanigans that will injure people at their show. Their album is just a mish-mash of dancey songs like "Banquet" and "Helicopter" that delivers a social message. Although, I admit, the social message gets lost when your feet are doing the thinking for you.

6. Oasis - Don't Believe the Truth



A lot of people have written off Oasis especially since they haven't released a significant album since 1996's (What's the Story) Morning Glory. What people fail to acknowledge is that Morning Glory only has 4 super solid songs while the rest seems like filler. Be Here Now, Standing on the Shoulder of Giants and Heathen Chemistry are good albums, but none of those post-Morning Glory releases compares to Don't Believe the Truth. Oasis are back in true form with this album, with just pure rock n roll as their formula. Gone are the pretentiousness of Be Here Now and the re-invention sounds on Giants. Oasis went back to their roots and made an album that epitomizes those roots. They even went back to the old Oasis logo, which I'm so happy to see yet again grace their album and single covers. The tear jerker song "Let There Be Love" is a testament to Noel's song writing abilities. The man still has it in him to write such great ballads. Liam's song writing is also getting better with "Meaning of Soul" and "Guess God Thinks I'm Abel." Overall, a fantastic album that probably saved Oasis from the brink of extinction. They're not just a nostalgia band, they are a band that will last a lifetime.

5. Sufjan Stevens - Illinoise



I doubt that Sufjan will get to write an album about all 50 states. Especially at the rate he's going. Unless he releases a 3 song EP about the lesser populated states like the Dakotas, West Virginia and Montana, Sufjan has a lot of work to do between now and when he dies. Illinoise is a fantastic album that just moves you. Sufjan's soothing voice just makes you sit still. It relaxes me too. I can't explain why I love this album so much. I just do. And that's all I need to say.

4. Wolf Parade - Apologies to the Queen Mary



Ahhh...the many "Wolves" bands out there. Out of the lot, this is the band that matters. Wolf Parade were already hyped up in Canada. So much so that TIME magazine Canada featured them along with the Arcade Fire and Stars. I heard "It's a Curse," a song that has an intro that eerily sounds like Arcade Fire's "Laika," and I was sold immediately. I can't wait to see these guys live again.

3. Art Brut - Bang Bang Rock & Roll



This is the band that sounds like the Sex Pistols. Right? Well, at least the spoken word part of it sounds like Johnny Rotten. This album is just amazingly good. The hooks are catchy and the lyrics are even catchier. Apparently, their live shows are just out of this world raucous. Please come to S.F. Art Brut!

2. Bright Eyes - I'm Wide Awake It's Morning



Every single track in this album is a Conor Oberst classic. That's why me, and several others, penned this guy as our generation's Bob Dylan. His folksy, indie rock is just amazingly good and the lyrics definitely come from the darkest, most deepest emotions in his heart. Also, the songs have this energy that is missing in some of his earlier releases. This is just a fantastic album that will be hailed as Conor's classic.

1. Clap Your Hands Say Yeah - Clap Your Hands Say Yeah



This album is also in my car CD player for months now and I just can't stop playing it. Someone please take this CD away. It's so infectious and amazing that I just can't stop listening, dancing and tapping my fingers to every word that comes out of my speakers. And their live shows? Oh, fuck yeah I can't wait to see them again on 31 December in New York!!! "...Young Blood" and "Yellow Country Teeth." Those are the songs that first got me. Then everything else followed suit. THE BEST ALBUM OF 2005 HANDS DOWN! A no-brainer.

21 December 2005

Tussle (Hotel Utah, 16 December 2005)

Despite the rain, cold and holiday madness going on in the streets of San Francisco last Friday night, everyone seemed happy to be out and about. It was the week before Christmas, and I think people are itching to do some crazy partying before calming themselves down with family at their suburban childhood homes. I know that's how I was feeling, and tonight was the night to do it.

Which lead me to select the Tussle show at The Hotel Utah as my primary outlet to release myself from the doldrums of my "Office Space" type job. I honestly haven't heard of Tussle before. I was recommended to them by a friend who was crazy excited to see them. She summed up Tussle as a band who "doesn't use any pointless vocals, just pure fun noise that anyone can dance to." With a description like that, who can't resist? Not I.

And Tussle did not disappoint. With a projector in the background showing random images akin to a Windows screen saver gone artsy, Tussle belted out their music with a lot of passion, energy and sheer perfection. Much like their more popular, albeit vocal laden, counterparts – The Rapture, Out Hud and, to some extent, !!! (chk chk chk) come to mind – Tussle's music is highly dependent on the beats they emit. Although I don't know any of the song titles, it seems like Tussle's music all shares a similar formula: a light beat as an intro, a layer of fast snare pops interspersed and then a bassline that would make George Clinton proud. All of these elements then form a sound that is truly original and mesmerizing. Each thud of the drum and each strum of the bass somehow seeps into the brain, which then send spastic impulses to the hips, necks, legs and arms. It was surreal and it was fantastic. I'm an apostle of Tussle.

Tussle weren't the only band to play that night. Another local San Francisco outfit, The Cold War, played their left wing brand of noise rock to the audience. Singer Tamera Ferro was all over the place, belting out the vocals while entertaining the crowd with her stage presence. They played a very short set, with the acoustics and sound at The Hotel Utah not exactly being cooperative to their type of music. Regardless, they were entertaining and may have prompted some members of the band to start a Communist revolution.

Beer Rating:1/2

11 December 2005

Not So Silent Night (Bill Graham Civic, 9 December 2005)

Review by Aubrey Andel

Six bands, one stage, a million teeny boppers, some wasted wankers and a handful of horny bastards filled the Bill Graham Civic Auditorium for Live 105’s Not So Silent Night concert on Friday evening.

Having missed Birdmonster, the winners of Café Du Nord’s Battle of the Bands, Autolux and Coheed & Cambria, I was just in time to see Hot Hot Heat perform. The Victoria, B.C. band’s lead singer, Steve Bays, donned a fro to rival that of American Idol’s Justin Guarini’s, his vocal deliverance however, definitely surpassed Guarini’s. I’m not a fan of Hot Hot Heat but if I was 12-years-old or really, really drunk, I’m sure I’d like them then. They have catchy pop songs with a good beat. As couples vertically humped eachother I wanted to blindfold all the little kiddies in the audience, even if most of them were on E and could have cared less if their friends’ parents were partaking in X-rated action. When the band’s current hit “Goodnight Goodnight” came on, crowd surfers surfaced and it was like one big orgy fest.

Indie darlings Death Cab for Cutie mellowed out the audience with their opener “The New Year” from Transatlanticism. I know I should love them since it seems like anyone who’s into indie music loves them, but, well, I don’t. I think they’re…Okay. They have pretty good lyrics and they’re musically interesting but it’s lead singer Ben Gibbard’s voice…that's a bit too whiny for me, especially on “Soul Meets Body” off of Plans. Gibbard sounds a lot better as the front man for The Postal Service. If I had wanted to listen to whining, I could have simply plucked one of the kids from the crowd and demanded that they sing for me. They also played “Title and Registration,” “The Sound of Settling” and something from their CD We Have the Facts and We’re Voting Yes, I can’t remember what though. Sorry. Nevertheless, they do seem like very nice fellows, so I give them kudos for potentially being unpretentious musicians with big hearts and little egos.

Finally, who I really went to the show to see (I’m going to change tenses now so I can re-live the moment). I missed The White Stripes at The Greek in Berkley and I wasn’t about to miss them again. You pasty, dirty, white people from Detroit really know how to rock! Meg starts banging on the drums as if she’s trying to beat demons out of them and Jack accompanies her with a vicious rendition of “Blue Orchid” from Get Behind Me Satan. L. and I are near the front and there’s pushing and shoving and dancing and it’s great. Then not so great. We elbow our way to the side where there’s more room for breathing and dancing. “You Put Her in Your Pocket” and “Doorbell” fill in the middle. The crowd is in a fucking frenzy and they end with the killer song that catapulted them into rock heaven, “Seven Nation Army.”

Lose the teeny boppers, cut out half the bands, have The White Stripes play for more than an hour and you’d have yourself one kick-ass concert.

Beer Rating:

09 December 2005

Autolux (Popscene, 8 December 2005)

I'll be really brief with Autolux at Popscene since I have to go to sleep in 5 minutes.

They were good as always. This is the upteenth time I've seen them live. It seems like they're always opening up for someone or are headlining a small venue with an alterior motive. I don't know. I don't intentionally go and see them (except for tonight) but I've always liked them.

Tonight, the stage at Popscene seemed a lot shorter than usual. Probably because the band themselves aren't that tall. Also, it seems like everyone from Giganto-land was in the house. I'm 5'9" but I certainly cannot compete with the 6' and over crowd. So, all I can do is listen and see what the band is up to between crevaces of space between people.

Also, Popscene needs to do something with their camera placement. The screens at the back does nothing to improve the view. All I can see are a bunch of heads and probably the forehead of one of the band members.

Finally, Popscene takes a whole new light when one is sober. I had to be sober tonight. But I wanted to enjoy myself so I got a few drinks. Still no remedy. The only song I really danced to was the Strokes' "Juicebox" which I wasn't really that into but I had to force myself to enjoy it. Oh, my bad, I also danced to Kaiser Chiefs' "I Predict a Riot" with two friends. Now that was fun.

Beer Rating:

08 December 2005

The (International) Noise Conspiracy (Slim's, 7 December 2005)

Sweden is a socialist country. Besides having beautiful people as citizens (see Nina Persson and Ingrid Bergman as examples), socilaism's core belief is that a society should exist in which popular collectives control the means of power, and therefore the means of production.* Socialism never caught on as much as democracy, but don't tell that to the (International) Noise Conspiracy boys. They're convinced that socialism is the way to go, and that our system of government is going down the shitter.

And these guys aren't poseurs like how some bands are socialists or Marxists just for the sake of calling themselves punk rock. (I)NC really does dish out the goods and it shows. From their merchandise booth full of socialist literature, to the lyrics of their songs and to the way the group interacts and plays on stage, they truly believe in the socialist, working class ethos of trying to create a classless society.

When you look at (I)NC on stage, not one person really sticks out as being better than another band member. First, all of them wore the same clothes as the others. Stylish ones at that. So, they all looked the same in a strange way. Second, when they hopped around like chickens on crack on stage, they all did it in unison and with the same amount of energy as the other. Again, not one scissor kick stuck out from the others. The only thing that really separate Dennis Lyxzén from the other members was that he had a mic that he can play around with.

And oh did he play around with that mic. He has better mic skills than Brett Anderson of Suede and The Tears. Yeah, it's that damn good. He would throw the mic in mid-air and catch it with his chest. He would also do a lasso of the mic and catch it at the right moment.

These antics, among others, made this show one of the more energetic shows this years. The sheer activity going on stage would make a normal person go crazy.

Musically speaking, they wer fantastic and tight. I'm not that well versed in (I)NC stuff, but I have to admit I liked each and every song they played. It was catchy, it was tight and they had the right amount of energy to supplement all of that great musicianship.

So, go ahead. Have a cup of fair trade coffee, put on an (I)NC CD or mp3 and read that 10th edition of Communist Manifesto. All those three things will make sense to you. Just watch out for Joe McCarthy's boys whilst you're doing all three things at once.

Beer Rating:

*Source: Wikipedia

Echo & The Bunnymen (The Fillmore, 5 December 2005)


Review by Aubrey Andel

The Geriatric Society of America gathered at the Fillmore last night to see one of their heroes from back in the day perform live once again. As crypt-keeper Ian McCulloch, the lead singer of the band Echo and the Bunnymen smoked cig after cig, shimmied his hips and balanced a bird’s nest hairstyle atop his head, I realized why the ancients were crazy for him: He’s just cool…that voice, those moves, those sunglasses.

I happened to be standing next to his #1 Fan of All Time, a 45-year-oldish, long blond-haired, meaty maniac who put on a performance of her own. She was pumping her little fists and swinging her hair all around, providing me with a breeze. That was okay. What wasn’t okay was when she started to shove her huge breastesses into my back because she was in such a euphoric state.


#1 Fan, I love that you love the band, but please don’t aim your lovin’ in my direction. Being knocked around by your knockers was not even mildly therapeutically pleasant for me.

When you shout to the heavens, “Punk Rock Man!!!” that’s okay too, just not in my freakin’ ear, woman. When sweat starts to glisten on your broad forehead because you’re jumping around like a jack rabbit, it doesn’t bother me, until that sweat ends up on my arm. Then it starts to bother me. I would have clobbered you right out of the venue but I restrained myself because I figured you needed the exercise.

While #1 Fan rocked on, Echo and the Bunnymen played an amazing set, with favorites like “The Killing Moon” and “Lips Like Sugar,” some songs from their new CD, Siberia, and partial covers of “Walk on the Wild Side” and “In the Midnight Hour.”

Ian, keep smoking your cigs dear, you have one helluva voice and lung cancer and laryngitis are small prices to pay to gratify your followers with a stellar performance.


Beer Rating:

07 December 2005

New Shows Added

There are so many new shows added for the new year. Thought I'd give you a run down just in case you're too lazy to flip through the calendar. The ones in blue are ones I'm planning on/am going to.

Here they are:

January
  • 4: Wolf Parade @ The Independent
  • 5: Wolf Parade @ The Independent (SOLD OUT)
  • 18: High on Fire @ 12 Galaxies
  • 19: The Editors @ Popscene
  • 20: Colin Meloy @ Great American Music Hall
  • 21: The Elected @ Bottom of the Hill
  • 26: Josh Rouse @ Swedish American Music Hall
  • 28: Of Montreal @ Bottom of the Hill
  • 31: Coldplay & Fiona Apple @ Oakland Arena
February
  • 3: Of Montreal @ Great American Music Hall
  • 8: Jeff Tweedy (Wilco) @ The Fillmore
  • 9: Jeff Tweedy (Wilco) @ The Fillmore
  • 17: Saint Etienne @ The Fillmore
  • 23: Supergrass @ Great American Music Hall
  • 24: Wedding Present @ Slim's
March
  • 4: Low @ The Independent
  • 5: Matt Pond PA & Youth Group @ Slim's
  • 15: BRMC @ The Fillmore
  • 24: Metric @ The Fillmore
More info by clicking on the calendar.

10 November 2005

Broken Social Scene (The Grand, 9 November 2005)

If everything is bigger in Texas, then Canadians like it even bigger.

Canadian bands these days have these HUGE ensemble of band members. Arcade Fire (8 members), Stars (4 permanent members, as much as 8 on stage) and, the one that takes the cake, Broken Social Scene (10 listed members, as much as 15 people on stage).

BSS takes their tour to the West Coast after somewhat mixed reviews of their shows in other cities (reviews ranging from: "lacks stage presence" or "one of the few bands that can give Arcade Fire a run for their money"). Well, my impression of this monster of a band is a glowing one.

BSS got on stage at around 10:30 and played for a solid 2 hours. That's right kids, 2 fucking hours. But it wasn't an agonizing two hours by any stretch, but one that is worth every minute. It seemed like they played every song that mattered from You Forgot It in People and their 2005 self-title release. They may have started off the set with something from Feel Good Lost, but I'm not entirely sure since the song didn't immediately click in my head.

The second song though was "KC Accidental" which made for a good start. The booming sound of the speakers made my wristband shake about and the entire band was crazy for this song. More and more and more songs were played such as excellent live versions of "Handjobs for the Holidays," "Superconnected," "Ibi Dreams of Pavement" and "Fire Eye'd Boy." Varying musicians also made special appearances, including Justin Small and James Payment of Do Make Say Think and the lovely Lisa from whatever band she is in. She's just really pretty and provided as a good fill-in for another lovely lady, Emily Haines, in "Anthems for a Seventeen Year-Old Girl." There's just something about her hair, Lisa that is, that makes me get all excited.

Feist joined the fray during "Shoreline," which was probably the most energetic and most well-received song the entire night. She was playing with Kevin a lot, and their stage chemistry was unmistakenably perfect. She was also there for "Almost Crimes" which also was energetic and exciting.

Towards the end, BSS played more chill songs and relaxed the crowd a bit. "I'm Still Your Fag" was played I believe as the last song of the main set, which was a bit odd but it was really, really good.

They also played a 3 song encore, with Kevin teasing the crowd that their first song will induce them to dance. I then cringed for 2 seconds when he said that song is going to be Madonna's "Ray of Light." He did sing it though, bits and pieces of the lyrics, and that scared me because I thought they were really going to cover it. It would be a good cover, but it would just be plain weird. Instead, they played something off their s/t album (sorry, I forgot). They finished their set with a 10+ minute rendition of "It's All Gonna Break" (I think). By that time, everyone was so satisfied (and tired).

Overall, it was a fantastic show chock-full of excellent songs and stellar musicians. Definitely one of the great live bands touring today. And one of the great bands from our friendly neighbours up north.

Beer Rating:

04 November 2005

Metric (Slim's, 3 November 2005)

I <3>Live it Out. It was a good start, a slow song start, to a show otherwise filled with noise, guitar and Emily's antics. Then, once the rockin' part of this song came on, Emily shook her head viciously. Her strawberry blonde hair just waving like that in the air. Oh! So succexxy! Crazy, yes, but succexxy nonetheless.

I think "Succexxy" followed and then that's when the deluge of Live it Out songs came about. "Monster Hospital" was done and it was entertaining. "Patriarch on a Vespa" and "Handshakes," two songs that were present during the latter part of their last tour was there albeit different now that it has been refined. Before, that "uh-ah-hah-ha-ha" sound that Emily made was a vomiting noise. It sounds better the way it is now.

Throughout the whole set, Emily's voice wasn't so great. It would be good if she sang the song the way it was on the album, but when she improvised it in some way, it didn't sound as great.

We didn't get any Old World Underground songs until the encore I believe. After "Police and the Private," "Hustle Rose" was played followed by that annoying, and worthless, 12 minute version of "Dead Disco." I love "Dead Disco," and I thought they righted their wrongs by playing the slightly shorter version. But nooooo...they had to play the long ass version. Why!?!?!?!?! Me and the #1s decided to skip the show after that.

I was sick. I wasn't supposed to be there. I thought that Metric would otherwise entertain me after lying in bed and getting chest x-rays all day. They didn't. It was disappointing.

Beer Rating: