San Francisco Concert Calendar

Oasis (Oracle Arena, 3 December 2008)

2008-12-06T19:30:00.000-08:00

My obsession since 1994, Oasis played Oracle Arena last Wednesday and brought me back to those halcyon days of my youth. Now, 14 years later (!!!), I am still as Mad Fer It as I was in 1994. Oasis will always be the BEST band of the world to me.

I arrived at Oracle Arena and ran into friends. Definitely helped since I went to the concert by myself and this is definitely not the type of place where you can easily find people. There was at least 10,000 people there, so it was a small Oasis show by their standards. I got my seats on the floor and was just anxious for the show to get started. With beer in hand, and a shot of J&B to go along with it, the lights dimmed and the familiar sounds of "Fucking in the Bushes" came on. Once those drums blasted through the speakers, everyone on the floor stood up, and I yelled for Oasis as if I was 20 again.

The boys look good. Liam had an amazing bowl cut with his sideburns going all wild. I wish I had hair like that guy. Noel looked good in his black leather jacket. Gem had his familiar Penguin-brand windbreaker on. Andy Bell was Andy Bell. And Chris Sharrock was amazing on the drums throughout the show. Tony McCarroll and Whitey don't even compare.

Oasis started off with "Rock n Roll Star." A song that Oasis typically end their main set with, but it was fitting as the beginning. When those guitars started, I was jumping up and down in my little space and yelling. I assumed my Liam pose and sang every single verse with him. My friend Jason was singing along as well and we sang in tandem when the line "Tonight, I'm a rock n roll star!" came up. While Liam didn't say, "I'm a rock n roll star...in Oakland" like I did, he did say something. I don't know what it was. The crowd was energized and ready for more.

"Lyla" and then "Shock of the Lightning" followed. Oasis' backdrop was three three or four video screens -- a set up that Coldplay and Radiohead have been using in their live sets. I really didn't care for the background visuals, but they were interesting. Especially during "Lyla". But man, these songs were just amazing live. Especially "Shock of the Lightning" with the boys in top form. And Chris at the drums banging away as if his life depended on it. And when Liam wasn't singing, he was standing on stage biting on the tambourine, or just standing there looking all cool.

The crowd yearned for more of the classics, and they got it with "Cigarettes and Alcohol." This is THE song that defines Oasis and their fans. This song never gets old and the lyrics are just brilliant. With beer raised up high, I sang my heart out with this song. Noel remarked after the song that someone was so excited for the song that the person fainted.

Now here comes the new stuff with the short yet sweet "Meaning of Soul," the psychadellic "To Be Where There's Life," and the Noel sung "Waiting for the Rapture." I especially loved "To Be Where There's Life," and Gem was having a fun time playing it (especially since he penned the song).

At this point, Noel is playing his set of songs. "The Masterplan" was a pleasant surprise and it was so brilliantly done. Unlike past tours, Oasis songs live sound very similar to the album versions. Noel's voice was spot on for this song, and I got shivers when he sang the chorus.

Liam comes out after the song, strutting out as if he owned the place. And he did. Although not my favourite song, "Songbird" live was a nice and cheery change to the rockin' songs. That quickly changed when "Slide Away" was played afterwards. Of course I yelled, "What for!!!?" afterwards.

It was then followed by the best live rendition of "Morning Glory" that I have ever heard. I could have died a happy man at that point.

"Ain’t Got Nothin’" and my least favourite Oasis song in the past few years "The Importance of Being Idle" was played. The beautiful, Liam penned "I'm Outta Time" was next. If this was released in the 1990s, this song would have surpassed "Wonderwall." Speaking of which...

"Wonderwall" was next and this drove the crowd bananas. As Liam said in a recent Q interview, he wants to puke after he sings this song. But there were no signs of bitterness here. Probably the best "Wonderwall" I've heard in recent memory.

At this point, I was like, "what's next?" and then I was absolutely floored when "Supersonic" came on. It was fucking amazing! At this point, I had no voice left and I was running up and down the aisles just singing this out loud. Putting my arms around random people and my friends totally feeling supersonic! Best "Supersonic" I've heard.

It was encore time and Noel came out and played a beautiful semi-acoustic version of "Don’t Look Back in Anger." After "Falling Down," Liam came out and sang the BEST live version of "Champagne Supernova" I have ever heard. At this point, my arms are around my mates as we sang the song line-by-line. I then ran two sections over and found my other friends and we all sang "I Am the Walrus" together.

No tambourine tonight. No setlist either. But it was by and large the BEST Oasis show I've seen since Philly. My God, I was just in Oasis heaven. This surge of youthful exuberance possessed me for the entire evening and a grin like Jack Nicholson's Joker was plastered on my face. On BART, I was just all smiles. In the car, I sang the songs over and over again. I'm not over it yet, but I'll come down soon enough.

Love is All (Bottom of the Hill, 20 November 2008)

2008-11-21T19:24:00.000-08:00

I simply loved Love is All when I saw them play Popscene last year. Their sheer energy and poppy songs had me hopping all night. Love is All's second album is a continuation of that sheer pop/noise brilliance its debut album has.

It was a Thursday night, and I had to work early the following morning. So I was a bit tired and just went to the show to see Love is All. I totally missed Vivian Girls, but that was no big deal. I hung out in the back since the front was too full. I would have liked to have danced with the people in front, especially during "Busy Doing Nothing." But the back was good enough.

The new songs were great live. I do wish they played "New Beginnings." Otherwise, I heard all the songs I wanted to hear.

My Bloody Valentine (The Concourse, 30 September 2008)

2008-09-30T19:19:00.000-07:00

I know only a few My Bloody Valentine songs, but nonetheless I went to the show just to see what they are all about. I mean, they are one of those groundbreaking bands that you need to see since they pretty much influenced the whole shoegaze thing.

The Concourse is a horrible venue. Given MBV's sound, it should be okay. And, plus, they are not all that animated on stage so you are just really there to take in the sounds. And did they ever. They played their songs crisply and in sync. You wouldn't even know that they've been apart for so long given the tightness of their set.

I don't know any of the song titles, but they were good. I was a bit sleepy towards the end, but then I woke up when I heard that 20 minutes worth of white noise song. It drove everyone I know at the show crazy. Needless to say, that sheer amount of noise basically had people headed for the exits. Like myself.

So it was memorable. It was worth it. And I think one MBV show is enough for me.

Radiohead (Cricket Amphiteatre, Chula Vista, 27 August 2008)

2008-08-28T17:45:00.000-07:00

It's been months since I last saw a live show. And what better way to end that streak by watching one of the greatest live acts in the world: Radiohead.

Getting to the amphitheatre from the freeway was a nightmare. We did manage to find a short cut that cut our entry time in half. We did miss the Liars though, but that wasn't really a big factor.

I last saw Radiohead in Chula Vista during the Hail to the Thief tour when I won that Capitol Records contest. I got a digital camera and a photo pass for the firs tthree songs of their set. And I saw them in the pit. It was sweet. Yesterday though, I sat in the 205 section, but at least I got to take in all the great lighting effects that accompanied each song.

1. 15 Step

2. Airbag - It was great to hear this song again. Although In Rainbows is a great album, today I longed for anything pre-Kid A. So having Airbag played second got my blood pumping, with the hope that a good chunk of their set will be classics.

3. There There - I wante do jump up and down during this song. It wasn't as fun since I was inhibited by seats and what not. But they sounded great.

4. All I Need - Not a favourite song of mine, but now I appreciate it even more than before.

5. Nude - Beautiful. I still like to call this song "Big Ideas (Don't Get Any)" though.

6. Talk Show Host - Surprise, surprise! The light show was equally spectacular.

7. Where I End and You Begin - Love the bass lines.

8. Weird Fishes/Arpeggi - It was OK.

9. The Gloaming - Thom dancing. Enough said.

10. Faust Arp - It was OK.

11. How To Disappear Completely - I get chills everytime Thom says "I'm not here" near the end of the song.

12. Reckoner

13. Optimistic - I'm still trying to figure out if I ever heard this song live before. I'm sure I have, but I don't remember. Sounded good, although Thom's vocals sounded a bit lazy.

14. Jigsaw Falling Into Place - My favourite song from In Rainbows was reinforced by this amazing live rendition.

15. Pyramid Song - Beautiful. Each time, every time.

16. Climbing Up The Walls - I don't like this song live. But it was nice to hear a song from OK Computer nonetheless.

17. Bodysnatchers
18. House of Cards
19. You And Whose Army? - Thom laughed during the beginning of the song because he couldn't contain himself since his face was so close to the camera. He's been doing this for a long time but this one was nice because I saw Thom laughing and enjoying himself.

20. Just - The crowd erupted when we heard this. Yes to Bends.

21. Paranoid Android - Keep it coming! My goodness, I loved this moment and hoped that they never stopped playing.

22. Street Spirit (Fade Out) - Chills. Nothing but chills.

23. Videotape - At this point, I wish the concert would go on forever.

24. Lucky
25. Everything In Its Right Place - A sad way to end, but it was refreshing to see something other than "Forever" flashing on the screen. Instead, it was "Everything."

A magical night. Not the best Radiohead show I've ever seen (Berkeley, night two in 2007 was better), but it was solid from start to finish.

M83 (GAMH, 21 May 2008)

2008-05-26T08:38:00.000-07:00

I missed the Great American. I haven't been there for God knows how long. And it was nice to visit one of my most favourite concert venues in the City again. Memories of that great Arcade Fire and Blur shows always come to mind everytime I see another concert at the GAMH.

M83 is the brainchild of Anthony Gonzalez. No, not the tight end of the Kansas City Chiefs, but a very young French musician who makes ethereal music. M83's new album Saturday = Youth is more 80's than any of his previous albums. Which is not a put down, but rather a good compliment. He was accompanied with three other musicians, one of which was a woman who helped with most of the backing vocals for the new songs.

"Kim and Jessie" is one of my favourite tracks in the new album, and they didn't disappoint when they played it live. It actually sounded better live. Another personal favourite, "Graveyard" was just amazing. The guitars are so infectuous in that song. Some even were prompted to dance. It was the old M83 songs that added some colour to the show, bringing back people to the noise they loved to hear when M83 first started.

There wasn't a dull moment at the show. It wasn't meant to be a raging show by any means. Just a nice show to just enjoy the music. They're fun, in a relaxed way.

El Perro Del Mar / Lykke Li (Bimbo's, 18 May 2008)

2008-05-26T08:26:00.000-07:00

Today was the official day where anyone in San Francisco can be drunk in public. Yes, Bay to Breakers, that festive event where everyone from out of town walks around naked or in some funny costume and begin to drink unheard of amounts of alcohol all at 7am. With that in mind, I was surprised to see that Bimbo's was quite packed for tonight's show. Although I did see some weary people in the audience, everyone seemed to be in good spirits and ready for some Swedish pop.

As it has been the custom, we sat in the back with a table. It seems like we only see Swedish acts at Bimbo's now a days, with Jens Lekmanbeing the two previous shows that I saw at this venue. So, with my hunger pangs in full swing, I ordered the crappiest pasta dish and watched the opener, Lykke Li.

Like El Perro Del Mar, Lykke is another Swedish indie pop singer with a fairy like voice. She was definitely more upbeat than El Perro Del Mar, and more enjoyable. I think she stole the show. Her second song, "Dance Dance" was a lot of fun with her whole band going all crazy midway through the song. She exhibited some weird dancing skills and she pounded her tambourine like no tomorrow. Sarah of El Perro joined Lykee during another song. But the definite novelty highlith of Lykee's set was when she covered a rap song, whose name escapes me right now. The song then blended nicely to her encore.

El Perro Del Mar, on the other hand, was a bit more mellower and not as exciting. Which is expected since her new album, From the Valley to the Stars is more a series of really good lullabies than pop songs. She even admitted that when she played one the new songs in the new LP. She tried to make the show exciting, but at this point, I was way too tired and my companions were as well.

Jakob Dylan (Cafe Du Nord, 17 May 2008)

2008-05-26T08:12:00.000-07:00

My girlfriend really likes Jakob Dylan so, being the good boyfriend that I am, I bought two tickets for us to see him at Cafe du Nord. Most of us recognize that name as either: (1) that guy from the Wallflowers or (2) Bob Dylan's son. Everyone in attendance, for the most part, was there because of his Wallflowers connection. I didn't realize that there were still many devoted Wallflowers fans out there. But there are, and they were all in the front row of this show.

The junior Dylan was playing in support of his new solo album. I think this is his first show of the tour, but he sounded really good and his band was tight for the most part. He started off with a new song called "Something Good This Way Comes." This sounded like vintage Wallflowers with that twangy guitar and all that. I thought it was an old song, but apparently it was a new one. It wasn't bad at all. He then proceeded with more new songs "All Day and All Night" and "Everybody Pays as They Go."

Throughout the night, I couldn't help but compare father to son. The mannerisms were all there. The slight touch of facial hair was there too. It was quite eerie. Even the swagger and the way Jakob held the guitar reminded me of Bob Dylan when I saw footage of his Newport Jazz Festival highlights.

It was after this third song that things got a bit hairy. There's this crazy tall lady stirring amock in the front of the crowd. She earlier talked to me and asked if the carpets in Japanese concert venues was as bad as du Nords. I've never been in Japan, nor am I Japanese, but because I'm Asian she immediately thought I was Japanese. Whatever. So, she asked Jakob, "Why are you here, Dylan?" To which Jakob responded, "I know why I'm here, why are you here?" More playful, though annoying, exchanges continued and Jakob immediately spotted her eyes. "Oh, you're one of those ... I can see it in your eyes." He immediately ignored her for the rest of the evening, thank goodness.

The fans went crazy when he played his Wallflowers stuff. Like "Beautiful Side of Somewhere." A really devoted fan cried when he played "The Empire in My Mind." It's a hidden track in some album apparently, and he doesn't play it that often. The song is pretty good, and I don't understand why it would be a hidden track rather than a single.

Despite this old guy in a sling wanting to hear "One Headlight," Jakob did not play his big hit. Nor did he play "Sixth Avenue Heartache" or that famous cover of David Bowie's "Heroes." Those are the only songs I knew from Jakob Dylan in his Wallflowers days. He did cover Merle Haggard song called "Branded Man," but nobody in the audience seems to know that song.

Overall, it was a good show and the man does have some great songwriting skills. Don't knock it til you try it.

I'm From Barcelona (The Independent, 29 April 2008)

2008-05-04T14:03:00.000-07:00

Again, I was running late to this show because my bike lock acting up. But, I was able to bike there, bike back home, walk back to the venue and was able to find my friends with no problem.

There were 20 Swedes on stage at the show. Did they really need that many band members? Yes. They are a very happy band. They started off their set with "Treehouse" and there was all sorts of confetti and balloons flying all over the small venue. And one of the members was doing some YMCA like moves as the song was performed. I can do that!

And the lead singer, I think his name is Emanuel, crowd surfed after this song. The band sounded great, and all 20 members contributed in every way. I think the fullness of the sound was definitely because of the large number of members in the band.

My favourite part of the show was when they played "Oversleeping." That's my theme song. Every day of my waking life is described succinctly in that song.

So, as cheezy as the show was, it was a lot of fun. It's not exactly a band that I'd see more than once in a year. Because the antics can get old. But the songs were fun, the band members were fun, and just...fun.

The Verve (The Warfield, 23 April 2008)

2008-05-04T13:52:00.000-07:00

The last time I saw the Verve was nearly 10 years ago at the Mayan Theatre in Los Angeles. Can you believe that? I saw Richard Ashcroft perform solo during his first solo LP back in New York at the Bowery Ballroom, but that's a whole different show. A decade ago, Ashcroft was God-like and that L.A. show was just out of this world unbelieveable.

Now, 10 years later, I get to see them again! I missed the first two songs, much to my dismay, but I did catch the rest of the set from the far corner of the floor. It was AMAZING! Ashcroft was still God-like and the lighting just added more to his aura. The band were tight, the sound was LOUD, and Ashcroft sang with so much vigor and passion. And he looks healthy too.

They only sang two new songs, both of which were fantastic. Definitely sounded very Verve-like. Which may sound non-sensical but some bands reunite only to sound something completely different. Their classics were just nostaligic. "Lucky Man" choked me up. I sang "On Your Own" with Ashcroft from start to finish. I was amped up for "Rolling People." And his rendition of "Drugs Don't Work" will make any junkie turn their life around.

They played two songs for their encore. Although "History" wasn't one of them, unlike the lucky New Yorkers, they did play "Bittersweet Symphony." Ashcroft dedicated the song to all the black musicians who didn't get properly compensated in their contributions to rock music. This song drove the crowd wild, of course.

But song, after song, after song. It was just a great show from start to finish. And Ashcroft and the Verve were in top form. I can't wait to see them again.

Here are some photos from a fan at the show.

Jens Lekman (Bimbo's, 22 March 2008)

2008-05-04T13:45:00.000-07:00

My 31st birthday was the day before this show, so it was nice to have Jens play during my birthday weekend. His show in November was better, but that doesn't mean that this one was bad. It was so much fun! How can anyone not enjoy themselves at a Jens show?

Jens backing band was as huge as before. In fact, the girls in his band are not even from Sweden, unlike last time, but were mostly from....Detroit? Where does he find these girls?

Like November, we were seated in our table at the very rear of the venue. And, like last time, being seated far didn't affect how great this show was. I think the set list was similar to last November's show, but he added some songs in there. Of course, his best songs live are still "Your Arms Around Me," "Shirin," "Black Cab," and "Postcard to Nina."

The Magnetic Fields (The Herbst Theatre, 29 February 2008)

2008-05-04T13:34:00.000-07:00

It was Noise Pop! weekend and I was very excited to *finally* see the Magnetic Fields. I'm not exactly a huge fan, but some of my favourite songs are Magnetic Fields songs. Their new album, Distortion, is not that great. But, then again, can you really improve upon 69 Love Songs?

The Herbst Theatre is a beautiful venue. I think it serves as a opera and symphony space as well. It's a very fitting one for the Magnetic Fields. We had seats on the first few rows of the lobby, so our view was perfect.

Stephin Merritt was wearing a hat, and wasn't that talkative throughout the show. But when he spoke his one-liners, it was smart enough that people laughed. Many stories were shared. Some about their experiences in San Francisco in the past. Some great, some not so great, but all funny.

We all got a good chuckle when they sang "I Hate California Girls." Other than that, I forgot what they played. Wait, they played "Kiss Me Like You Mean It." That's partly because I drank way too much wine beforehand, and dozed off during bits and parts of the show.

But I really liked the show! Here's some pictures taken by a fan. It truly captures the moment.

Travis (The Fillmore, 20 December 2007)

2008-05-04T13:20:00.000-07:00

OK. This is six months late, but I've been busy. And I was planning my trip to Paris during this time, so making an effort to put a concert entry back then was unimaginable. And don't get me started with how busy work was...

So, here I am. In May, trying to remember what happened at the Travis show back in December. I do remember this. They came in not through the stage, but through the crowd. They were in the back and that theme song to every single boxing match came on. And here come Travis, with their boxing robes on ready to knock the crowd out with their songs. Sorry, that's as cheezy as I get.

A lot of people didn't pay much attention to Travis' new album, The Boy With No Name. It is definitely one of my top five from 2007. It's not that it was so original or "knock your socks off," it's the nostalgia that's tied with it. It's the best album they're released since The Man Who, just because The Boy With No Name is the album that closely resembles The Man Who.

Travis played everything I wanted to hear. Everything that I loved on The Man Who was played, including my personal favourite, "Turn." They were playful throughout the set, and were tight all around. Their age showed though, as Fran was turning a bit grey, Andy was unable to climb the speakers and jump as high compared to years past. Then there's Dougie, who seems like never aged one bit. He still has that big grin on his face as he strums the three or four notes of his bass. Then the pelvic thrusts he loves to do when he plays.

Although it wasn't as enjoyable as when I saw them in Coachella earlier in summer 2007, they still brought me back to my early 20's where everything was fresh and new. Cheers, Travis!

Sondre Lerche (Swedish American Music Hall, 11 November 2007)

2007-12-02T22:33:00.000-08:00

My second helping of Scandinavian crooners came on Sunday night when I saw Sondre Lerche perform a solo show at the Swedish American Music Hall. As expected, the Norwegian Lerche asked several questions about playing in a Swedish music hall. "Are there any Norwegian music halls in San Francisco?" asked Lerche. "That's okay, we're using Swedish electricity!" And the list goes on and on. Apparently, there is this competitive spirit among the Swedes and the Nordes, but that's beyond me.

Sondre didn't play everything acoustically. He used, on occassion, his electric guitar. He played a lot of newish songs, even some from the Duper Sessions and songs that he wrote for the move Dan in Real Life. But his biggest applause came when he played songs from Faces Down or Two Way Monologue. In fact, Sondre received not one, but two standing ovations during his nearly 90 minute set. He even mingled with the crowd in the lobby after the show.

I never saw Sondre before, and I wish I did see him with a full band rather than him alone. But he was still very good. His voice was top notch during the whole event, and he talked a lot. Telling stories and just smart comments. Acknowledging some of the crowd requests as well, even some of the hecklers (who heckled with good intentions).

He ended his set with "Sleep on Needles," but I wish he played more. The crowd made many requests, but some of them he doesn't remember. I wished he played "Single Hand Affairs," but oh well.

Jens Lekman (Bimbo's, 9 November 2007)

2007-12-02T22:15:00.000-08:00

Nearly a month after I saw this show, I still can't believe how great Jens Lekman was live. He was fantastic from start to finish, crooning his way to the hearts of every person in attendance at Bimbo's that evening. He sang everything that I wanted to hear, and sang new songs that I haven't heard before. He hasn't been to S.F. in a while, and this was my first time seeing him. With all those factors in mind, I was very excited to see him.

Jens' new album is definitely in my top 5 releases for 2007. So, seeing those songs performed live will trigger an additional sense when I hear that album play through my headphones.

My friends and I stood in the back at first, but found a prime table in the back. Near the bar, away from the hustle and bustle, but still good enough to see Jens and his band that consisted of really cute Swedish women (so I think they are Swedish). Think Robert Palmer's video "Simply Irreststable" to get a minds eye view of what I'm talking about.

Jens was talkative and quirky throughout the show, even throwing in there a story about him rollerblading in the North Bay. I don't know if that story is mere fiction, but picturing Jens Lekman rollerblading just doesn't make sense to me.

One of the stories he told was about his hairdresser in Sweden. It was an amusing story that nicely transitioned into him playing "Shirin." The highlight for me was "Your Arms Around Me," which sounded so fantastic. Jens and his band even did a little interpretive dance, with the whole band pretending to be airplanes. Jens' voice was so good during this song, and his band captured that very Smiths like quality to the song -- a portion of which sounds like "The Boy With the Thorn in His Side."

Oh, and of course, "Black Cab." It was surreal.

He played two encores. One song he played was "Tram #7 to Heaven," which he played by himself, acoustically. "Friday Night at the Drive-In Bingo" was a bit of a disappointment because of the rather weak horns that accompanied it. But, "A Sweet Summer's Night on Hammer Hill" was a lot of fun with all that "bomp" noises they made.

I think this could be one of the top 5 shows of the year. He'll return, I hope, but he'll be playing the Fillmore by then. Regardless, I'll be one of the first persons to buy a ticket.

The Pipettes (Bimbo's, 29 October 2007)

2007-11-02T00:07:00.000-07:00

They are the Pipettes. And they are the prettiest girls I've ever met...at least on stage singing sugary sweet pop music. The always statuesque Gweno and her spunky partners, Riot Becky and Rosay, came back to San Francisco for a second time to, as Rosay said, "sing short songs, and do a lot of dancing."

Bimbo's was not that crowded actually. At first, I thought it would sell out for sure, but after arriving just right after the second opener, there was plenty of room on the main floor and even more spaces available in the back tables. They came on eventually at around 10:15pm. Their second song, "Your Kisses are Wasted On Me," immediately ignited the crowd. Gweno had a bit of a problem reaching the high notes, but that's probably because she needs to warm up a bit.

The Pipettes wore these really cute outfits, full of polka dots. Gweno's was the most pronounced, with a pyramid-like stiff skirt. She also dyed her hair, much to my dismay, from that beautiful blonde to the more subtle strawberry blonde ala Clair Danes in My So Called Life.

But the songs, oh the songs. They played plenty of them, and they danced their little moves. You don't really get to see pretty girls sing well, but the Pipettes definitely sang well. Their voices were just amazing, and their sparkling personalities also made them so endearing. And the British accents, oh, the British accents.

You're probably reading this and wondering, "OK, where is the actual review of the show?" Well, I'm trying but I can't get past how cute they looked on stage!

OK. So, they played everything off of their We Are the Pipettes. Biggest crowd pleaser was, by far, "Pull Shapes." They did their little Madonna-like Vogue dancing. And the band was quite tight too. This song was played next to last I think. Everyone in the crowd was dancing, even the real hard looking guys. But then again, why would you go see the Pipettes if you were acting hard?

I got to meet them afterwards since I bought a CD and they signed it. They are just too sweet. I just don't know what to say them other than, "great show!" I wanted to ask Gweno when she dyed her hair. But, alas, I had to go.

Beer Rating: 0 Beer

Simian Mobile Disco (Mezzanine, 21 September 2007)

2007-10-12T21:33:00.000-07:00

Love the album, but on that evening, I just couldn't get into it. First, I had a major stomach ache. That's what I get for eating steak two nights in a row when I haven't eaten red meat in over 7 months. And then, the crowd was just this annoying techno crowd. Which I kind of expected, but not this bad. Finally, Simian Mobile Disco came on at midnight, which, at that point, I was spent, especially since I was at the venue at around 10:30pm. I was over it. I left at 12:30 or so and went home and drank some Pepto.

I'm not even going to rate this show, only because I left not because of the music but for physical reasons.

The New Pornographers (The Warfield, 17 September 2007)

2007-10-12T21:20:00.000-07:00

I don't know if I can ever watch the New Pornographers again without thinking that after they play their set, Belle & Sebastian is next. Because, that's what I was thinking the entire time I saw their show that night. "I can't wait for Belle & Sebastian!" But noooooo...it was just the New Pornos.

This time though, Neko Case was with them. Along with Mr. Destroyer himself. It was the first time, I think, that I saw all of them in one show. Like the previous times I saw them, A.C. Newman and crew just played song, after song, after song. They are truly robots, but likable ones at that. Newman's voice seemed off tonight too, but that really didn't matter.

The New Pornos' new album, Challengers, is the most mellow and least poppy of their entire discography. Is it because the New Pornos are getting older? Newman married a week or two before this show, so maybe the whole engagement process humbled his poppy stuff and focused on something, well, not so?

I think the songs I enjoyed most were the ones that Dan Bejar sang like "Myriad Harbour." Bejar is a character. The man is constantly drunk, or so it appears, yet he can sing without missing a beat. And I like how he just appears and re-appears, never being on stage for that long of a time. I did like "Spanish Techno," whici is always in my iPod playlist.

As the show went on, my friends and I decided to take a seat. We stayed for the entire main set, but left once they're done. It's the whole Belle & Sebastian thing. Maybe we'll get over it and the next time the New Pornographers come to town, we'll be more into them.

Beer Rating: 1/2

Rilo Kiley (The Warfield, 6 September 2007)

2007-10-12T21:09:00.000-07:00

I just remember being so beat up that day of the Rilo Kiley show. After a fantastic Okkervil River show the night before, I just wanted to get rid of the ticket and go home. I really don't think that Under the Black Light is all that great of an album. Especially that Spanish song. As beautiful as you are Ms. JennyLewis, please don't try to sing in Spanish.

After failing to hawk my ticket to the lowest buyer, I went inside reluctantly. I stood there near the floor, just thinkingof the comforts of my bed. They came on, and I actually enjoyed myself. They played a lot of their "old" stuff from More Adventurous, which I think is a fantastic album. They started off with "It's A Hit," and that immediately got the crowd going. Jenny looked great in that shiny dress, and Blake didn't look that bad either. In fact, everyone in the band looked good and they were as tight as ever. They also played, "Portions for Foxes," and that made me smile, even though it hurt to do so.

As the show went on, they played stuff from Black Light including "Moneymaker," which is not a bad song played live. "Silver Lining," which I think is the best song in the album, also was played. But it was Rilo Kiley's back catalogue that people wanted, and they mixed that in quite well. "Arms Outstretched" was fantastic acoustic, and you know everyone wanted to stretch their arms to hug Jenny.

Even though the show was good, I got tired and decided to leave about 50 minutes into it. No big deal. I saw them, heard the songs I most wanted to hear, and I was happy.

Beer Rating:

Okkervil River (The Independent, 5 September 2007)

2007-10-12T20:54:00.000-07:00

I first heard of Okkervil River a couple of years ago when a friend of a friend can't stop raving about Black Sheep Boy. She said that their shows are amazing, full of energy and passion and just great stage presence. Everytime they came to San Francisco, I always found a way to miss them. This time, there was just no way I can afford to miss them, especially since their new album The Stage Names is one of the best albums released this year.

I arrived shortly after 9:45pm and was fortunate to have friends who were pretty close to the stage. The Indy was buzzing that night. I was feeling really tired, but I was excited to see what the hype was all about.

And there they were. They were everything advertised and more. Will Sheff was just beyond superb, with his strong voice and equally great guitar work. The rest of the band that accompanied him, including the keyboardist who really looks like one of my friends, were giving it their all. They engaged in little banter, except when Will Sheff described how they were on Letterman for the first time and how he wanted to change the lyrics to one of his songs to fit one of the guests. Unfortunately, that idea was rejected.

They played pretty much everything from The Stage Names, but the song I remember the most was "So Come Back, I Am Waiting." It was long, it was powerful and the crescendo blew me away. I also liked how they were able to integrate live the Beach Boys' "Sloop John B" into "John Allyn Smith Sails."

I wish I can remember more details of the show, especially since I'm just writing about it a month later. But it was definitely one of the best shows I've seen all year. They're going to play the Fillmore, just you wait, and then they'll become even bigger.

Beer Rating: 0 Beer

1990's (Cafe du Nord, 6 August 2007)

2007-08-19T20:57:00.000-07:00

I don't really read the NME anymore, but on the one day I did, they were raving about this band called the 1990's. So, I looked into them some more and found out that they are playing a Popscene sponsored show at Cafe du Nord. I downloaded their album and found the songs to be really catchy and fun. So, naturally, I bought a ticket.

That was a month before the show. As the months went by, I grew less and less interested. The album was still good, but not as gripping as I originally thought. I still wanted to see what they were all about though.

Come show day, I was too tired and had no interest. Instead, I spend that time catching up with Charky and some champagne. I heard 1990's play "You Made Me Like It," which is the opening track to their album Cookies. It was fun sounding, but I'd rather talk to my pal. They played everything from Cookies, including "You're Supposed to Be My Friend," which has really catchy drums and chorus. And the "da da da" of "See You at the Lights.

The crowd seemed to be into it. I wish I was.

Beer Rating: 1/2

Daft Punk (Greek Theatre, 27 July 2007)

2007-08-19T20:50:00.000-07:00

A month has passed since Shearwater, and I was so anxious to get out of the office and go see Daft Punk and The Rapture. The last time I saw Daft Punk was Coachella and they put on a show that was beyond belief. This time, I expected that they will have the similar set up with the pyramid, but I hoped that they would change things up a bit from the Coachella show. They did at times, but I lacked interested for the most part since I saw everything they did before.

For most of the crowd, they haven't seen this elaborate music and light show that Daft Punk put on. So, they were just astounded by everything they saw. From the start of "Robot Rock," to the little bit of "Around the World," and to the awesome rendition of "Technotronic," complete with eyepopping visuals. They played pretty much everything that mattered from their previous releases. I wished they played a little bit more of "Around the World," but instead we were relegated to just a few seconds of the song as a transition to another.

The lighting was just great. And during the encore, the lights slowly snaked their way to the band and then their jackets lighted up. As you probably already know, Daft Punk dressed up like robots and they acted like it too. However, the maniacal crowd were anything but robots, constantly flapping their arms in the air and screaming the occasional "woo!" or "Wow" for good meausre.

My friends and I started off on the floor but after three or four songs, went to the beer garden and sat at the lawn. We then moved over to the seats were our other friends were.

I missed the damn Rapture because they came on at 7:45 even though the ticket says that the show starts at 8pm. That pissed me off so much since I wanted to see them a lot more than Daft Punk. Oh well.

Beer Rating: 1/2

Shearwater (Bottom of the HIll, 20 June 2007)

2007-08-19T20:39:00.000-07:00

I'm a bit more discerning now when I choose to watch a show. But I just couldn't pass up the opportunity to see Shearwater at the Bottom of the HIll. Everytime I think of Shearwater, I think of Okkervil River. Rightfully so, since the band was originally a collaboration between Okkervil's Will Sheff and Kingfisher's Jonathan Meiburg.

Since I'm blogging about this show that happened nearly two months ago, I don't remember much. I do remember that they opened up with "Red Sea, Black Sea" from their album, Palo Santo. It was a very strong start for the band and really electrified this somewhat sparse crowd at Bottom of the Hill that night.

"Seventy-Four, Seventy-Five" was another well played song. Meiburg's vocals, accompanied by the band's superb musicianship, made this venue with sometimes okay acoustics sound like a grand concerthall. Okay, that maybe just a bit exaggerated, but you get my drift I hope.

Beer Rating:

Arcade Fire (Greek Theatre, 2 June 2007)

2007-07-28T18:30:00.000-07:00

I was unable to attend the previous night's Arcade Fire show because of commitments. And luckily I didn't break any commitments because the second Arcade Fire show easily surpassed the one the night before. The crowd was really into it, and the capacity crowd showed a lot of love for the Arcade Fire.

This was the third Arcade Fire show for me this year. Coming into this show, I knew that there was no way in can top any of the others. I mean, how can anyone top going to Montreal to see them, in a church no less? You can't. There's no way. And at Coachella, I was officially over seeing Arcade Fire at a festival. It was just a mess. So, when I saw them here, I kept in mind of all the past Arcade Fire shows, and told myself to just enjoy, and relax, and take in everything.

Arcade Fire did not disappoint. This was probably the most calm I've ever been at an Arcade Fire show, yet listening to them really made my senses jump. Granted, the new album isn't particularly as great as Funeral, but the new songs were played well live. "Keep the Car Running" and, although not "new," "No Cars Go," was just downright wicked. You can hear a pindrop when the band played "Windowsill" and "Ocean of Noise," but then you couldn't hear yourself think when they played "Rebellion (Lies)" transitioned with "Neighborhood #3 (Power Out)."

The stage props were okay, but what makes an Arcade Fire show a memorable one are the theatrics of the band themselves. Will climbed up really high on top of one of the pillars at the show, which was scary. Richard and his Napoleon Dynamite looks banging the snare drums. Regine and her cherub like facial expressions. And Win "the basketball robber" Butler just singing his heart out on every song.

Beer Rating:

Peter, Bjorn & John with Fujiya & Miyagi (Bimbo's, May 15, 2007)

2007-07-28T18:25:00.000-07:00

On my mom's birthday, I celebrated by going to the much anticipated PB&J show. By this time, the song "Young Folks" has been completely raped by the radio stations, with avid radio listeners calling it the "whistling song." This was evident when PB&J played Coachella, where a packed tent became half full once they played "Young Folks." Will PB&J suffer the same fate here in S.F.?

Luckily, no. The crowd was really into their set from start to finish. PB&J's Swedish charm shined through, although sometimes it was a bit too cheezy. They played everything from their recent album. Of course, "Young Folks" was greeted with ecstatic applause. Too bad the whistling was recorded, rather than live. And unlike Coachella, the girl from the Shout Out Louds wasn't there to do the backing vocals. They did an acoustic rendition of "Let's Call the Whole Thing Off," which they dubbed as a "new" song because it was different from the album version.

The crowd was also quite ecstatic for openers Fujiya & Miyagi. These Brits brought their electro/groove sound before to the Bay Area, but now they had a much more receptive audience. "Collarbone" was played really well, and everyone was dancing from the second song to the last.

Beer Rating:

Morrissey (The Paramount, 1 May 2007)

2007-07-28T18:16:00.000-07:00

When I tried to see Morrissey a couple of years ago, the Moz cancelled. I was disappointed, especially since I've never seen him live before. He's a living legend, and, of course, I want to see him before I die. Or he dies. So, I was excited to see him at a smaller venue than the great outdoors of Golden Gate Park, with seating.

The Moz looked good for being the old geezer that he is. I can only hope to be in that shape when I am old. His voice was top notch, and he was very animated. Talking with his die hard fans in the front, who he knows by first name. His backing band was also very tight, playing each chord and beat with so much "umph" and gusto.

The Moz played a lot of songs from his latest release, but it was the classic Smiths and earlier Moz tunes that stood out to me. Although the new songs were great, the earlier stuff carried the nostalgia I was craving. "The Queen is Dead" was surprising, but "The Boy With the Thorn in His Side" was even better. A spine tingling rendition of "Everyday is Like Sunday" and "How Soon is Now?" also made this a memorable show.

Beer Rating:

Coachella (Indio Polo Grounds, 28 April 2007)

2007-07-06T21:20:00.000-07:00

Coachella day two. After an amazing day one, we arrived at Coachella refreshed and ready to roll. We were used to weather by now, and we know the ins and outs. The line up for Saturday proved to be a great one. Although Jarvis stole day one, and probably the entire weekend, the acts overall for day two easily surpassed day one because it was the dance party set. Everywhere I went, there was some dancing involved.

It didn't start out that way though. We first saw The Cribs who were fun but I wasn't really that into them. They were energetic, yes, but the new songs from their second album wasn't as great as their first. I just really wanted to hear "Hey Scenesters," which they played horribly.

After baking in the sun and drinking a couple of beers, we then caught Hot Chip. It was so fucking hot inside the tent that I thought I was going to faint. But Hot Chip were just awesome, despite my dizziness. A lot better than their Mezzanine show, that's for sure. I actually appreciated their act a lot more when I drank water from a guy who had hoardes of them. I was actually dancing this time. At Mezzanine, I was in the back just sipping my vodka. This time, I was dancing with a water bottle.

After more veggie corn dogs and iced tea, we then caught Travis. I haven't seen Travis in a long time, and I was so happy to see them. Their new album, The Boy With No Name, is a fantastic release. And they were top notched and I sang every word to every song they played. Especially ones from The Man Who like "Turn" and "Writing to Reach You." The new songs also came out well, like "Selfish Jean" and "The Big Chair."

While Travis played their last song, "Why Does It Always Rain on Me?," Meriza and I skipped our way from the main stage to the tent to catch what's left of Peter, Bjorn and John. We arrived just in time to catch the tail end of their set and caught the song everyone was pining for, "Young Folks." After they played that, everyone started to leave. I actually liked their set, but I was glad to catch more of Travis than PB&J.

We rested for a bit and ate more veggie corn dogs. Good thing, because it is Arcade Fire time in the main stage. I was determined to go as close to the stage as possible, risking it all. We arrived at the main stage, where there were thousands of people watching Kings of Leon in all their shirtless, redneck splendor. We inched our way closer, only to be met by several road blocks of hicks and sweaty men with dreads. After Kings of Leon left, there were tons of Red Hot Chili Peppers fans trying to score a sweet spot for their set after Arcade Fire. This really pissed me off, because I was surrounded by fratty RHCP fans, hardcore AF fans and trapped Kings of Leon fans.

Meriza and I were really close to Arcade Fire and we just acted all crazy during their 60+ minute long set. We were drenched in sweat, and constantly protected each other from the maniacs. I love Arcade Fire and all, but that's probably the last time I will go all out to see them at a Coachella like stage. It was just crazy. Crowd surfers everywhere trying to get out. Pissed off RHCP fans punching at people. Just sweat everywhere. But Arcade Fire played their hearts out and I sang every tune out loud. Once their set was over, I was covered in sweat and my skin was wrinkled because of the perspiration. I thought I was going to die, but it was well worth it.

We then went to our sanctuary, which is the Heineken beer tent. We drank some much needed liquids and then slowly crawled to see LCD Soundsystem. Meriza and I just sat way in the back of the tent and just took in the sounds. They were just great, and I had enough energy to see them, but decided to lay low.

While Meriza left to see The Good, The Bad & The Queen, I stayed to see The Rapture. They were fucking awesome and their 60 minute set encompassed every single song I wanted to hear. Granted, it would have been better if I had people to dance with, unlike all the wackos around me, but whatever. I'm looking forward to seeing them again with Daft Punk later in July.

I then caught a little bit of The Good, The Bad & The Queen. That band is tight. Damon sounded great and the rest of the band of all-star musicians played perfectly and effortlessly. The only part of the set that was pure rubbish was when that Syrian rapper came out. He was a total waste of space.

Beer Rating: 1/2

Coachella (Indio Polo Grounds, 27 April 2007)

2007-07-06T21:01:00.000-07:00

Shit. Has it really been 2 months since I last posted? What can I say? Work and life in general has been hectic. Full of ups and downs, but now, I will try to maintain my blog here. I've cut down going to shows big time. Not only is it getting really expensive, but the actual bands I want to see live has dwindled down a bit.

One of the reasons why is Coachella. This was probably one of the best Coachella line-ups so far. Although one cannot forget Radiohead in 2004, Coachella 2007 was better because of the diversity of acts. Also, since I now consider myself a Coachella pro, knowing what to do and when also makes the Coachella experience that much better.

Unlike previous Coachellas, this one started on a Friday and became a three day long event. Meriza, Sara and I arrived at Coachella under the blazing hot sun and a whole shitload of people. We met up with Jason and his two friends, Francesca and Julianne, near the beer tent. We didn't see much of each other afterwards, but we did run into each other every now and then.

First band we saw was Tilly and the Wall. I only saw them open up for Rilo Kiley at Bimbo's a while back and really didn't think much of them. They were spectacular at the Coachella tent. Despite the heat inside, the band kept us entertained with their tap dancing and just enthusiastic stage presence. Not a bad start.

Then we caught a little bit of Tokyo Police Club. They were okay and I wasn't particularly impressed.

I think we then went to the main stage and caught Arctic Monkeys. I love Arctic Monkeys and I really, really liked their set. However, it was still daylight and people were just so-so into them. They were loud and they sang their songs quick. They started off with "Brianstorm," which was just so mean sounding live. Then they just ripped through their entire song collection. They played all the hits, especially my favourite, "Fake Tales of San Francisco."

After eating the best veggie corn dogs, we caught Jesus and Mary Chain. They looked haggard and they didn't seem to be that into their set. This was the highly anticipated reunion tour, but they just looked and acted "blah." Granted, this is my first JMC show, and for all I know they're always like this, but I thought they'd be more into it. One of the first songs they played was "Head On," which is my favourite JMC song. Apparently, ScarJo sang the backing vocals to "Just Like Honey," but I could care less.

We caught a bit of Peaches, but that's because we wanted a great spot to see God himself, Jarvis Cocker. I haven't seen Jarvis since 1999 when Pulp played Hammerstein Ballroom in NYC. That's when This is Hardcore came out and I've been waiting for them to return ever since. After a long wait because of technical difficulties, Jarvis emerged from the back of the stage. Accompanying him was Steve Mackey, who is one of the original members of Pulp. I didn't think his album was that great, but after seeing him live, the album means that much more. Especially "Black Magic," with the lights flashing at the exact moment Jarvis would thrust his hips and elbows. "Fat Children" was also great. And, of course, the storytelling. We couldn't stop talking about Jarvis. I wished he played longer.

After Jarvis, we caught a bit of Interpol. They sounded fantastic but we were just too tired to make any effort to get closer. We then saw Bjork who is just beyond amazing. I fell asleep a bit during Bjork's set, but that's only because of fatigue rather than boredom. By that point, it was a little after 11pm and we were there at the Polo Grounds since 1pm. We were tired and we went back to the hotel.

Day one, overall, was just amazing and I could hardly wait for day two.

Beer Rating:

Blonde Redhead, Annuals (Bimbo's, 23 April 2007)

2007-04-30T18:49:00.000-07:00

The Annuals. Another one of those blog bands that Brooklyn Vegan hypes up. When I listened to their album, I thought, "Oh well." It wasn't anything spectacular, but it was entertaining. Live though, these guys are something else. So full of energy, both in their songs and in their actions. A band that have percussion instruments for every member should be an indicator of how eclectic and just crazy this band is prone to get. They are a large band, and the sound definitely echoed that. "Father" was the definite highlight, along with "The Bull and the Goat."

If the Annuals are the rookies of indie rock, then Blonde Redhead are the all-star veterans. I've said this ad nauseum, but I first saw this band in 1998 when I was in college at UC San Diego. I absolutely hated them. So much so that I'd rather listed to a Marion cassette then have to endure their live show at the Che Cafe. But when they released Misery is a Butterfly in 2004, they went away from the experimental yelping and actually played tunes. Kazu actually sang rather than shouted and there was more structure in their music.

I forgot what they started off with, but I think they did "23" as the second song. The sound was just amazing, and Kazu sang perfectly. The twins can really emit so much sound just out of two instruments. When they did "Equus," it seemed like there were three guitarists and a keyboardists playing, but they were nowhere to be seen. Other songs from 23 were just amazing, like "Dr. Strangeluv" and "Spring and By Summer Fall". Yes, there were backing tracks on "Equus," but that didn't bother me a bit because Kazu's voice was just mesmerizing.

Kazu wasn't as crazy as she was in the earlier days, but she was just as captivating with that fiery red hair of hers.

Beer Rating:

The Shins (The Warfield, 16 April 2007)

2007-04-30T18:24:00.000-07:00

Although I like the Shins, I've never been a big fan of their live show. It's almost always boring. I'm not quite sure why. They're energetic enough, but I just can't get into it. Last time I saw them was when they opened up for Belle & Sebastian at the Hollywood Bowl. And back then, they were boring, but that's just because I was anticipating B&S with a full on orchestra.

Now, they are Billboard chart toppers with Wincing the Night Away. Will the success get to their head? No, not the bit.

They started off with the new stuff from the new album. "Sleeping Lessons" was accompanied by the soft glow of lights. "Australia" followed, and then "Phantom Limb." I thought they were going to play the album in order. But they didn't, thank goodness.

They played everything and anything that I possibly wanted to hear from their entire discography. Of course, the biggest applause came for that Garden State song, "New Slang." But there were some other great songs played there, like "Young Pilgrims" and "Girl Inform Me" that went relatively under the radar.

Although they played a great song selection, and a rather tight set, their show lacked the gusto that was sorely needed. One friend was so bored with the show that he and another friend played Cat's Cradle. I enjoyed it, but it lacked something that I can't pinpoint.

My hunger during the entire set triumphed over any possible encores. So, I grabbed a burrito from Taqueria Cancun across the street and I was satisfied.

Beer Rating: 1/2

Muse (Bill Graham Civic Auditorium, 9 April 2007)

2007-04-26T12:36:00.000-07:00

The last time I saw Muse, they were playing to a sold out crowd at the Warfield about two years ago. Since then, their popularity has skyrocketed to arena like proportions. Although this new album, Black Holes and Revelations, is not as strong as Absolution or Origin of Symmetry, Muse has proven themselves to be the purveyor of all things rock.

We missed a few songs in the beginning of the set, but Muse played long enough to satisfy the rock and noise I’ve been craving for. Muse’s lead singer acted as if he was Freddy Mercury, cleverly prancing around the stage with that rock star swagger and know-it-all attitude. The guitar riffs were amazing as well. It still bewilders me how just three blokes from England can emit so much noise like that.

"Hysteria" and "Stockholm Syndrome" were my absolute favourites in their nearly 2 hour set. Their big single, "Starlight" was amazingly done. Muse sound like Radiohead at times, but this show set them apart from Radiohead. Muse is nowhere close to being great as Radiohead, but Muse set themselves up as just a rock band with strong tunes and catchy riffs.
Overall, the show was amazing. It was a pleasant surprise and a much needed arena rock show to spark the senses.

Beer Rating: 1/2

Mew (The Fillmore, 6 April 2007)

2007-04-26T12:28:00.000-07:00

It’s been a while since I posted. I’ve just been really busy with all sorts of things. Now that I have this brief moment of respite, I will post about the Mew show that I saw eons ago.

When I first saw Mew at Popscene, they blew me away. It’s that rich sound that emits from their instruments and the lead singer’s voice that convinced me that they are one of those bands that are absolute gems. I still don’t understand how that singer’s voice can reach that high. It’s just bewildering.

At the Fillmore, their biggest show in San Francisco to date, the packed house was treated to a plethora of sound and visuals. Mew played a whole bunch of songs that I didn’t even recognize, possibly because it was from their previous albums. But when they played songs from And The Glass Handed Kites, the crowd went ballistic. They opened up with “Chinaberry Tree,” which is a fitting beginning to the set. Start off powerful, slow it down and then pick it back up again.

Easily, the best consecutive songs ever recorded are in this album. The trio of “Apocalypto,” “Special,” and “The Zookeeper’s Boy” are just flawless in transition and sound. Although Mew didn’t play these songs in a row, but rather in strategically placed points of their 90 minute set, they were still powerfully played.

The visuals were a bit distracting and weird. That’s all I have to say about that.

Beer Rating:

Youth Group (Slim's, 12 March 2007)

2007-03-27T18:48:00.000-07:00

I like Youth Group. Their album, Skeleton Jar, was a great piece of work. It's a shame that they are not that known here in the U.S. as opposed to their home country of Australia. They make great songs because the band reminds me an awful lot of James. Their recent album, Casino Twilight Dogs, is not so great to my ears. But there are hits in there like the "Underpass" song and their cover of "Forever Young" (it's not a b-side in my book!).

The crowd was sparse. There wasn't that many people that went to this show, and that's quite disappointing given that this is such a good band. But, more room for me to stretch out, which is fine by me.

Most of their songs was from Casino Twilight Dogs like "Underpass". Although I now appreciate thos songs much more live, the better songs were from Skeleton Jar. The band was tight throughout. I had to leave a bit early, but I liked what I did see. So did the crowd.

Beer Rating:

Bright Eyes (GAMH, 9 March 2007)

2007-03-27T18:35:00.000-07:00

Conor is no longer the young prodigy he once was. He is now 27 and is now a seasoned veteran in the world of music. His previous two albums, Wide Awake and Digital Ash, were Billboard chart toppers. Before he launches in this humungous tour with his latest release Cassadaga, Conor decides to give us a preview with a few small venue shows. This was the first of two.

The place was packed and it wasn't seeping with a bunch of youngsters like his previous shows in Berkeley. M. Ward was also with Conor during this show. We made a bet to see how many times "I Love You Conor!" would be shouted, but it was less than five. Quite a departure from the previous days where every momentary pause was greeted with such "I Love You" praises.

The songs off Cassadaga will be a bit folky. That's what a majority of the new songs sound like and it was good. However, there was this certain "umph" that was missing in these new songs that I'm sure will disappear once I hear the whole album. Even the song that I do know, "Endless Entertainment," lacked the enthusiasm of the songs from Wide Awake. The songs that he played from the Four Winds EP sounded great.

Maybe what's also lacking is the presence that Conor used to have. Instead of having that emo part in his hair, he now has this ridiculously long do that doesn't do much for his appearance. He now looks older. I have a belief that fugly bands are distracting live, hence making their live music appear "blah." For example, The Notwist. Great songs, but the band is just fugly, thus show was lackluster. Conor. Great songs, but he is fugly now, and the show was just so-so.

He did play some older songs that were greeted with much applause. I think one from Wide Awake and another from Lifted... Since I saw the show weeks ago, I forgot.

Beer Rating:
1/2

Calendar Updated

2007-03-08T22:13:00.000-08:00

April:

2: The Thermals @ Bottom of the HIll
23: Placebo @ The Fillmore
25: Air @ Nob Hill Masonic Center
26: Cornelius @ Bimbo's
26: Birdmonster, The Cribs @ The Independent
30: Elf Power @ Rickshaw Stop
30: Fountains of Wayne @ GAMH
30: Sloan @ The Independent

May:

4: Bright Eyes @ The Greek Theatre
19: Lavender Diamond @ The Independent
24: Nous Non Plus @ Cafe du Nord

June:

9: CSS @ Mezzanine
11: Mystery Jets (acoustic) @ Cafe du Nord
12: Mystery Jets (electric) @ The Independent
27: The National @ Bimbo's

July:

27: Daft Punk @ The Greek Theatre

Midlake (Bottom of the Hill, 4 March 2007)

2007-03-08T22:07:00.000-08:00

I missed Ghostland Observatory the night before because of the Vivienne Westwood premiere over at the DeYoung. And then I went to Leisure. It was a late night, so having a show in the afternoon was a bit tiresome for me. But, I looked forward to it since it was a great day outside last Sunday. And Midlake is a great band. When I saw them open up for Flaming Lips, they just blew me away. The video that accompanied each song definitely helped with the mellow songs, but the songs themselves were pretty strong.

So, we went to Bottom of the Hill and it was packed. The opener, Mini Pop, were pretty good but I wished I saved my energy for Midlake. The cool thing about Mini Pop is that they sound good, but that's pretty much it. The little kid on the stage who introduced them and mimicked their actions was cute and entertaining though.

Midlake had problems with their visuals, so that was a big minus to their show. The songs were good, but they played what seemed like a lot of stuff that's not from Van Occupanther. When they did though, like "Young Bride," they were good. But I was way in the back and I could barely see anything. And it was like a sauna inside the venue, so that further annoyed me.

It was an okay show at best. But it would've helped if I wasn't so tired.

Beer Rating:

Autolux, Snowden & Malajube (The Independent, 2 March 2007)

2007-03-08T22:00:00.000-08:00

Hello. It's been a while.

So, let's get down to business. Very promising night (or at least so I thought) last Friday with three pretty good bands in this Noise Pop bill.

First, Death of a Party. Didn't like them too much, although I have to hand it to the lead singer's theatrics.

Second, Malajube. These guys stole the show. They were fantastic from start to finish. The intensity was all there and the songs were just spot on. Although I don't understand much French, the songs were just strong and the band was really energetic and amusing on-stage. These French Canadians sounded really "foreign" when they spoke. "Le Crabe" was the definite highlight for me, but I was expecting a bit more yelping.

Third, Snowden. From Atlanta, they have a pretty good album but the only songs I like are the first three. And the first three were good. "Like Bullets" and "Anti-Anti" sounded like the album. But that was pretty much it for this band. I was not impressed and they were boring, to be perfectly honest.

Finally, Autolux. I can't say much about them because I had to cut out and I only saw the first song. But I've seen them a couple of times, and they put on a decent show. Their first song was a new one from their upcoming LP, but the song was too long for a starter. But, maybe they got better. I don't know.

Malajube are fantastic and they are worth seeing. So go for it!

Beer Rating:

Cold War Kids (GAMH, 23 February 2007)

2007-02-24T17:57:00.000-08:00

I still don't know sometimes how "indie" bands these days get so much publicity and sell out shows. Before, it was all about radio airplay. Now, it's about blogs, word of mouth, MySpace and Pitchfork to make you famous. Take the Cold War Kids for example. An awesome band of four from Los Angeles whose soulful songs and rather amusing live show who were relatively "small" just a few months ago and now have sold out GAMH.

I first saw Cold War Kids open up for Tapes 'n Tapes at Cafe du Nord last June (review). I was really surprised of how great they were, and I even thought that they were better than Tapes 'n Tapes. Like most bands that come through this city, the more popular you get, the more likely you'll play a bigger venue. So, Cold War Kids played the Independent when they opened up for Apollo Sunshine, of all bands (review). Now, they're selling out their own headlining shows.

GAMH was packed and the crowd was really into Cold War Kids as well as opener, Delta Spirit. Cold War Kids played the usual songs off their LP, with classics like "Hang Me Up to Dry," "Hospital Bed," "We Used To Vacation" and "Saint John" getting the most reaction. They even did a cover of a John Lennon song, which totally escapes me at the moment.

As usual, Cold War Kids were energetic on-stage. They were even more so when the rest of Delta Spirit joined them for three songs, with the Delta Spirit guys just banging every percussion instrument imaginable.

And I think the best line of all is when the lead singer said, "San Francisco is our favorite Western city. Just don't tell that to L.A."

Take that L.A.!!

Beer Rating:

Arcade Fire (Federation Nationale Ukrainienne, Montréal, QC 10 February 2007)

2007-02-12T22:03:00.000-08:00

I haven’t seen Arcade Fire in over a year and I longed to see them again. When an opportunity arose to see them in their home town at a small church, I just couldn’t pass it up. Regardless of the cost. So, I took a Friday night red eye flight to Montréal to see Arcade Fire perform on Saturday.

My friend and I waited anxiously outside the Ukrainian Federation amongst about a hundred and fifty other persons ahead of us. The night was cold, with temperatures hovering around 10°F. I could barely feel my hands. To pass the time, we drank some beers, which actually kept us warm, and plotted how we were going to get in the front of the stage. Shortly before 8pm, the line started to move and people were being let in.

We immediately rushed downstairs. There, we split up. I went to coat check with our coats while he stood in the entrance line. Once we accomplished our mission downstairs, we ran upstairs where we found a row of seats, an upstairs balcony and a small area in the front where a small group gathered. We went up front and were ecstatic as to how front and centre we were. We were beyond belief. To celebrate, we took turns buying drinks.

The stage set up was simple, yet spoke volumes. There were numerous instruments all over the place. More so than usual. A bright and big neon bible adorned the center of the stage. I couldn’t find the set list, but didn’t care for it that much.

At approximately 8:45pm, Arcade Fire came on. The crowd went absolutely ballistic! The fans sitting on the seats immediately went up. The crowd in the front where I was didn’t push or shove, but instead clapped hysterically. A welcome relief to the usual.

They opened up with "My Body Is A Cage", which is a fantastic song from Neon Bible! The video captures the song at its peak, where Win's slow, melancholy voice then resonates with the "thud" of electric organs:

“Black Mirror” then followed which was a lot stronger live than in the album. “Keep the Car Running” was a tremendous surprise to me as well, with the energy just resonating throughout the song. “Antichrist Television Blues” was next, followed by a revived version of “No Cars Go.”

“Haiti” was next and Regine was as playful as ever:

She was even doing the whole “cowboy roping the cattle” motion with her arms. She was just delightful to watch. She sang again during “Black Wave/Bad Vibrations” but Win took the limelight in this one.

“Windowsill” has that tremendous line about not wanting to live in America no more. After visiting Montréal twice and just experiencing the greatness that is this city, that is this country, Canada, and the people that reside there, I actually shouted “I don’t want to live in America no more.” Montréal is a fabulous city, with some of the nicest people around. I love people greeting me “Hello, bonjour.”

After “Ocean of Noise,” my friend and I shouted “Come back to San Francisco!” Win gave a puzzled look, and Richard asked to repeat what we said. I then said, “We flew all the way from San Francisco to see you guys!” And my friend said, “Come back to San Francisco!” Richard got a kick out of it. Regine then asked Richard what we said. After Richard repeated it, Regine gave us a smile.

Anyways, “Ocean of Noise” was a decoy to the insanity that is “Power Out” (video). At this point, Win went down from the stage and into the crowd. My friend and I were just going berserk at this point, and the video captures that insane moment.

We went even crazier during “Rebellion (Lies)”:

Win was again down with us and my friend and I were taking turns blindfolding one another. We shouted our hearts out as we yelled out “LIES! LIES!”

“Intervention” was just brilliant and I think this is when Win started ripping out the strings from his guitar. I hopped around like mad during the last song, “Neighborhood #1 (Tunnels)” and just shouted my heart out. Granted, I wasn’t the only one singing and shouting, the nearly 650 people in the audience were doing the same. I may have jumped the highest out of everyone though.

At this point, I knew that Arcade Fire was playing either the back of the venue or the basement. My friend and I immediately escaped the crowd in the front and tried to go to the back. However, our effforts were futile since security didn’t let us pass. Instead, we waited and listened to the security guard, in French, tell us what to do (video). I knew they had to go back up, so I wasn’t too worried. Apparently, they did “The Well and the Lighthouse” acoustically.

I was standing near the stairs when Win and the camera guy came up. In my hysteria, I put my camera on video and captured a good majority of Win, Richard and one of their trumpet players play an acoustic version of “Wake Up” (video).

At this point, with sweat running down my clothes, voice nearly gone from all the singing and aching joints from the icy cold temperatures and hopping around, I was in bliss. I can’t believe I’m this close to Win and here he is asking me for a guitar pick, laughing at me because of my horrible singing and patting him on the back every now and then. Richard told me to watch out since I almost got hit by the bow of his viola. It was just amazing. Purely amazing. Look how close I was:

After the show, I went downstairs to get a poster. As we left the Ukrainian Federation and walked outside the cold night, dripping in sweat and just plain exhausted from the concert, we couldn’t get the smiles off our faces. Maybe the cold had something to do with it, but we just couldn’t stop smiling and just recapping every minute of that show. When we found a nice bar to go to, we talked some more about Arcade Fire and how wonderful Montréal is.

If you want to see all my photos of this show, you can see them here.

Best show of the year so far.

Beer Rating: 0 Beer

Lily Allen (GAMH, 6 February 2007)

2007-02-12T21:31:00.000-08:00

Lily Allen is one of those guilty pleasures I have. She's a darling of the blog world, and even self-proclaimed "indie" websites like Pitchfork, Brooklyn Vegan and Product Shop NYC love her. I've always been a sucker for pop music, and Lily Allen is no exception. After missing her first two visits in San Francisco, I finally had my chance to see her at Great American last Tuesday night.

It was an MTV sponsored event, so I braced myself for the prospect of all these young kids romping around. Fortunately, that wasn't the case from my vantage point. Unlike her past performances, Lily Allen looked like she just stepped out of the tour bus. She didn't wear one of her trademark dresses. Instead, she wore jeans and a t-shirt. She even acknowledged that this was probably the only show she's ever done where we can "see her fat ass." She occassionally smoked a fag every now and then, despite her acknowledgement of California's law banning such behavior indoors. But whatever. Oh, and she had a cool gun necklace.

Show wise, she was top notch. Her backing band sounded great. She sounded great. She entertained the crowd with some funny banter.

She opened up with "LDN" which I missed. But all the songs I wanted to hear she did play...and more. "Littlelest Things" was played, and it sounds a lot like Radiohead's "Karma Police." At least the keyboard bits. Otherwise, this song is nothing close to Radiohead. She even covered Keane with "Everybody's Changing." Her cover sounded like a reggae tune. And, for the encore, The Specials' "Blank Expression." Her musical taste is diverse, and these covers proved it.

Best reaction from the crowd was when she played "Smile" and the last song, "Alfie." She remarked about how the venue smelled like weed, which then reminded her of a little brother of hers.

Overall, great show. Nothing wild or spectacular, but a good way to spend a Tuesday night.

Beer Rating:

Calendar Updated

2007-02-12T21:06:00.000-08:00

I haven't updated in a while, but here are some new shows added on the calendar since my last post:

February:

27: Tapes 'n Tapes, Har Mar Superstar @ Mezzanine

March:

2: Le Tigre (DJ Set) @ The Supperclub
23: Sondre Lerche @ The Fillmore

April:

17: Ted Leo & The Pharmacists @ Slim's
19: Iggy Pop & The Stooges @ Warfield
25: Adult., Erase Errata @ Bottom of the Hill
26: Klaxons @ Popscene
28: Jarvis Cocker @ The Fillmore

May:

1: Mando Diao @ Bottom of the Hill
4: Frog Eyes @ Bottom of the Hill
15: Peter, Bjorn @ John @ Bimbo's
16: Peter, Bjorn @ John @ Bimbo's
30: Voxtrot, Au Revoir Simone @ GAMH

June:

1: ARCADE FIRE @ BERKELEY GREEK THEATRE
2: ARCADE FIRE @ BERKELEY GREEK THEATRE

Of Montreal, The Blow (GAMH, 2 February 2007)

2007-02-04T19:33:00.000-08:00

Of Montreal played 4 nights in San Francisco. One at Bottom of the Hill and three nights at Great American Music Hall. That's crazy. I went to their Friday night show at GAMH and although it was quite enjoyable, it was too damn long.

The Blow was the second opening band. I like The Blow. It's just fun music that you can dance too. Khaela, the lead singer, was there on stage but the other guy, Jona, was not. Armed with nothing but a microphone and a friend manning her Apple laptop, Khaela sang as if she was doing karaoke. She was really funny too, although sometimes her banter went on longer than one would like. She has some dance moves, and she even did the Running Man and the Roger Rabbit. Yeah, remember those dances? "Parentheses" and "Pile of Gold" were my favourites.

After The Blow, Of Montreal came on wearing their signature "weird" costumes. Backed with three projectors (that I thought added virtually nothing to their show) and a whole bunch of theatrics, Of Montreal went through pop song after pop song after pop song. They started off their set with "Heimdalsgate Like a Promethean Curse," and all I can think of is that crazy video for that song. I think the first few songs in their long set was from the most recent album Hissing Fauna, Are You the Destroyer? like "She's a Rejector," which was way fun to listen to, "Cato as a Pun" and "Faberge Falls For Shuggie," which is my least favourite song in their set. With their vast discography, they played so many, many songs. They even did a cover of the Fiery Furnaces' "Tropical Ice-Land," albeit much faster and rockin'.

In between all of this was lead singer Kevin Barnes' costumes. He had this body suit thing with frills on the side, then he changed into a really short kimono, then he climbed into a huge dress with a ladder underneath it, then he wore jeans and a tight fitting shirt.

And, no, they didn't play the Outback song, which we all know is "Wrath Pinned to the Mist and Other Games" from Sunlandic Twins. Would have liked to have heard it, but after all the songs they played, it was fine.

Overall, very entertaining but very long.

Beer Rating: 1/4

Moving Units (Cafe du Nord, 1 February 2007)

2007-02-04T19:13:00.000-08:00

Remember back in the day when bands like Franz Ferdinand and the Bravery rode the wave of the new New Wave revival in indie rock? Moving Units is among those bands, but, unlike Franz or the Bravery, they never made it big. They still have this small cult following of younger scenesters who continue to be ever so faithful to the Moving Units.

Well, Moving Units haven't released an album since 2003's Dangerous Dreams. But here they were at Cafe du Nord performing in front of a sold out crowd of young scenesters. Making everyone groove to their post-punk sound that made so renowned.

Most of their set was dominated by their previous releases. They opened up with "Anyone" and that immediately got the crowd going. They sounded pretty good, even though I was in the back. If I was more energetic, I would have been in the very front dancing my arse off, but after a long work week full of stress, I couldn't be bothered. Besides, I was fine just standing in place, enjoying the music and dancing vicariously through others.

My other favourites included "Emancipation," "Scars" and "Going for Adds." They also played a couple of new songs, which pretty much sounded like their other songs. So, new Moving Units songs will be released soon, but any drastic change is not expected.

But, man, I was tired and I wish I was more into the show like the other kids. Oh well.

Beer Rating:

Keane (Berkeley Community Theatre, 27 January 2007)

2007-01-28T23:47:00.000-08:00

Last time I saw Keane, they were just this little known band from England that sounded a lot like Coldplay but a tad wimpier. They played at Bimbo's in front of a sold out crowd and Tom Chaplin's addiction was still under wraps. A lot has changed since 2004. In 2007, Keane is one of the bigger bands that are classified as Coldplay-esque (along with Snow Patrol, Travis, The Fray, etc.). They play large shows. And Tom Chaplin is now out of rehab and seems to be enjoying life.

So, it was odd to see Keane at the Berkeley Community Theatre. Lots of people were there, from all walks of life, in varying ages. There's a certain novelty seeing a 65 year old male just stand in place and sing to "Everybody's Changing."

Keane's set even looked like a stripped down version of Coldplay's. Back in the Rush of Blood... era.

Tom Chaplin was in great spirits. And it's sort of refreshing to hear that his banter and enthusiasm wasn't cocaine induced. He looked better than before and his voice was top notch. At several points throughout the show, he was very grateful to the crowd for their support and to his band mates for putting up with his antics.

Keane played pretty much every single song from both albums. While the older songs got the loudest receptions, like "Bend and Break" and "Somewhere Only We Know," the newer songs were a bit edgier. "Is It Any Wonder?" is their big single from Under the Iron Sea and it was their "funkiest" song they played. Yes, having weird reverb like organ sounds in the beginning counts as "funky" for this band.

One of the more surreal parts of the show was when they had a recording of Neil Hannon of the Divine Comedy read a World War I poem prior to Keane playing, I think, "A Bad Dream." It was a very powerful song and Tom hit the right notes. Tim's piano playing is just superb as well.

Overall, Keane knows how to put on a good show. Songs are pretty solid and the musicianship is just spot on. Yeah, they are one of the bands you would consider "lame," but I like them. And I like Coldplay. And Travis.

Beer Rating:

Coachella Line-Up Announced

2007-01-23T20:40:00.000-08:00

Yeah, you know this already. But this is going to be a spectacular Coachella! It'll be as good as 2004, that's for sure. I'm going. Are you?

Calendar Updated

2007-01-20T04:19:00.000-08:00

One of the advantages of being sick and up at this weird hour is that you can update the music calendar!

Oh, and a Coachella update. The Police will be one of the headliners. I know this because the pre-sale password for Coachella is "Roxanne." I just bought my $199 3-day pass!! I don't care much for The Police, but I would see them.

January:

25: Minipop, Audrye Sessions @ Popscene

February:

6: Lily Allen @ Great American Music Hall
7: Dont's @ Bottom of the Hill

March:

1: Matt & Kim, Erase Errata @ Bottom of the Hill
2: Diamonds (John Digweed & MSTRKRFT) @ Ruby Skye
2: Annuals @ Cafe du Nord (re-scheduled date)
3: Ghostland Observatory @ Mezzanine
9: Menomena @ Cafe du Nord
13: Fujiya & Miyagi @ The Mint
29: Calla @ Popscene

April:

6: The Gossip @ Bottom of the Hill
9: Muse @ Bill Graham Civic Auditorium
25: The Decemberists @ The Warfield
26: The Decemberists @ The Warfield
28: Junior Boys @ Mezzanine

June:

19: Low @ Great American Music Hall
20: Low @ Great American Music Hall

Photos from Girl Talk (The Independent, 12 January 2007)

2007-01-14T10:41:00.000-08:00

Thanks to James for the photos from the Girl Talk show. These are the photos with me on-stage right behind Greg:

Girl Talk, Matt & Kim (The Independent, 12 January 2007)

2007-01-13T01:05:00.000-08:00

Ahhh...nothing says "here comes the weekend" other than a good old dance off.

Girl Talk was spectacular at the Independent tonight. What a way to start off 2007. Oh, and so were Matt & Kim, whose high energized lo-fi pop got everyone's attention.

It's been a tough week for me. Not only with the stress of work, but also because of a minor car accident I was involved in. I'm okay, but my poor baby Audi isn't. So, I needed some sort of stress relief and the perscription is more shows.

Matt & Kim supported and they were very energetic. Everytime Matt would raise his arms to count down to the start of the song, I was reminded of Jasper Future of Art Brut. Kim was definitely the person who wore the pants, with her sculpted arms being far superior compared to Matt's lanky body. But what Matt lacked in physique, he made up for with character as he was just entertaining as all hell to watch. Of course, the crowd favourite, "Yea Yeah" was a success. I wanted to chuck food at them just like their video.

Girl Talk came on next. This one man band with one working laptop (not even an Apple, but a Toshiba Satellite and a Dell XPS!) played song after song after song and even more songs mixed in between. If you were thinking that this guy would just play Night Ripper, you are dead wrong. He played some Night Ripper songs, but it was a bit more freestyle than planned.

After one girl went on-stage, the invasion began. A whole mess of people were on stage, including a couple of guys who were just absolute wiggas. I was part of the invasion along with a newly met bloke from Aberdeen, Scotland. We tried to get our friend to join us, but she was a bit reluctant. We danced and observed Mr. Girl Talk himself fiddle with his audio program (I still can't believe it's not an Apple! He had Windows XP and shit!) as he searched for folders of songs to play. I forgot the program he used, but the man is truly doing something while he's playing these songs. No, he's not just opening up his iTunes and playing a Smart Playlist, but he's actually trying to figure out what songs will mix with what. Yes, it may be a bit WTF, but who cares! It was a lot of fun and I was dancing along with the rest of the crowd on-stage. I even helped Mr. Girl Talk get down from the table and patted his sweaty back a couple of times.

Great show! If you were lucky enough to get a ticket and see the whole thing, consider yourself lucky. I want this guy to DJ my party!

Beer Rating: 1/2 Beer.

New Concerts Added

2007-01-08T23:25:00.000-08:00

Happy 2007! Here are some new shows for y'all to consider:

February:

8: Birdmonster @ Bottom of the Hill
10: Sparklehorse @ The Fillmore
23: Cold War Kids @ Great American Music Hall

March:

1: The Donnas @ Bottom of the HIll
3: Ponys @ Bottom of the Hill
3: Brightblack Morning Light @ Great American Music Hall
9: Bright Eyes @ Great American Music Hall
10: Bright Eyes @ Great American Music Hall
12: El Perro Del Mar @ Great American Music Hall
17: Bloc Party, Final Fantasy @ Concourse Exhibition Centre
28: TV On The Radio @ The Fillmore
29: TV On The Radio @ The Fillmore

April:

23: The Books @ Great American Music Hall
27: The Kaiser Chiefs @ The Warfield

May:

1: Explosions in the Sky @ Slim's

The Best Concerts of 2006

2006-12-28T21:55:00.000-08:00

What's a concert blog if I don't post something about my favourite concerts of the past year? The list includes all the concerts I've seen this year, not just ones I saw in the Bay Area. If I was there, then it was eligible for inclusion. So, I looked at all 105 shows I attended this year and here's what I thought were the best:

1. Belle & Sebastian, The Shins – Hollywood Bowl, 6 July 2006

The ambience of the Hollywood Bowl plus the spectacular L.A. Philharmonic Orchestra accompanying the pop tunes of Belle & Sebastian plus the abundance of wine, great food, even greater friends and perfect weather made this one of the best concerts of my life. And chasing Stuart and dancing with him near the stage? Can this concert be beat? Unless I get Liam's tambourine and get to sing with the Gallaghers at an Oasis show -- then it's almost impossible.

2. Sufjan Stevens – Lincoln Center, New York, 14 January 2006

Thanks to Craigslist, I was able to get two tickets to the early show of this highly coveted concert. After paying a well worth it premium from the Starbucks employee who sold me the tickets (and giving us free soy lattes), this cold and snowy winter night turned into a fantastic event of sight, sound and emotion. Sufjan Stevens. Full orchestra. Very small concert space in Lincoln Center. Backdrop: Columbus Circle and Central Park with the snow falling. Ahhhh...picturesque.

3. Sufjan Stevens – Zellerbach Hall, 10 October 2006

Backed by a full orchestra and a Marin based choir group, Sufjan put on an all-around memorable show filled with surround sound song and inflatable Santas. Which reminds me, I forgot to inflate the Santa for my Christmas party! Damn it! Damn it!

4. Radiohead – Berkeley Greek Theatre, 24 June 2006

The best Radiohead concert ever! The perfect setlist filled with regular Radiohead live favourites and rare tunes like "Black Star" and "True Love Waits."

5. Art Brut – Bottom of the Hill, 20 March 2006

My first Art Brut show and apparently many more in 2006. This is the band I saw the most this year and they lived up to the live hype. Eddie Argos will be in the Rock N Roll Hall of Fame.

6. Love is All – Popscene, 2 November 2006

Even though the sound was crap, Love is All were spectacular at Popscene that night. Their energy and clever lyrics, such as the ones in "Busy Doing Nothing," made this a lively show. Even if I was the only one into it.

7. Daft Punk – Coachella Festival, 29 April 2006

The pyramid, the hot desert evening and the sheer perfection of sound blending from one song to another. Manifique!

8. Arctic Monkeys - GAMH, 13 March 2006

Diss the Arctic Monkeys all you want, but they put on a fantastic live show. The guitar work is mesmerizing and I was fully involved with the pogo/moshing crowd at this show.

9. We Are Scientists, Art Brut, Spinto Band – The Fillmore, 2 October 2006

Just an all around fun show from start to finish.

10. Cat Power – Palace of Fine Arts, 4 May 2006

The biggest surprise of the year is me liking Cat Power. It took me almost 11 years to realize how great she was. Better late than never. But this show in particular, she wasn't crazy. She was just calm, collective and coherent. Fancy that?

11. The Faint, Ratatat – Mezzanine, 5 December 2006

This didn't make my top 10 only because my car got vandalised after the show. Otherwise, best Faint show ever!

12. Ladytron, CSS – The Fillmore, 16 October 2006

Dance, dance, dance. Non-stop.

13. The Knife – Mezzanine, 3 November 2006

The visuals were just fantastic. I still wonder how they could do all that stuff live.

14. Belle & Sebastian, New Pornographers – Nokia Theatre, NY, 3 March 2006

Any concert where my friends and I start a dance party in the back is a great one in my book. My two friends and I were just dancing like crazy and then the crowd around us followed suit. When my other friend came back from the concession stand, she couldn't believe it! Then she danced with us.

15. Fischerspooner – Mezzanine, 26 August 2006

I don't know what got into me and my friend at this show. Just mad dancing!

And the rest of them:

16. The Killers - Popscene, 24 August 2006
17. Beirut – GAMH, 20 October 2006
18. Mew – Popscene, 19 October 2006
19. The Gossip – Bottom of the Hill, 27 January 2006
20. Tapes N Tapes, Cold War Kids – Café du Nord, 17 July 2006
21. St. Etienne, Every Move a Picture – The Fillmore, 17 February 2006
22. Jenny Lewis with the Watson Twins – The Fillmore, 30 October 2006
23. Mogwai – The Fillmore, 27 May 2006
24. Boy Least Likely To – GAMH, 2 June 2006
25. Camera Obscura – GAMH, 20 July 2006

Joanna Newsom (GAMH, 20 December 2006)

2006-12-26T18:54:00.000-08:00

The last show of the year! Oh so many of them and it was nice to end the 2006 concert season with none other than the lovely Joanna Newsom. Her new album, Ys, is very polished compared to The Milk-Eyed Mender. At first listen, I thought that this new album was too long, too pretty and not raw enough. In other words, I didn't like it. However, after a few listens, it grew on me. Songs like "Emily" are really pretty, but damn it's long! It's like Be Here Now: great tunes, but prolonged.

Her live show didn't disappoint. Granted, I had way too much wine at the Inhabitat.com party before I went there, but I still enjoyed the show. The GAMH was packed and I could barely see since Joanna is pretty tiny and the stage isn't exactly that high. She played all of Ys, if my recollection is correct, including "Emily." Also, some of my favourites from Milk-Eyed including "The Book of Right-On," "Sprout and the Bean" and "Sadie." I wanted to hear "Cassiopeia" as well, but beggars can't be choosers.

Her live show gave the song from Ys some edge. Unlike the album, where the studio was able to polish off the rough edges, performing those same songs live sounded a lot like her Milk-Eyed songs: simple, beautiful and, at times, haunting.

Beer Rating: 1/2

Calendar Updated: New Shows Added

2006-12-19T23:04:00.000-08:00

January

08 - Lady Sovereign @ Mezzanine
27 - Keane @ Berkeley Community Theatre

February

01 - Moving Units @ Cafe du Nord
04 - M. Ward @ Bimbo's
09 - Neko Case and Merle Haggard @ Paramount Theatre, Oakland
28 - John Vanderslice @ The Independent
28 - Sebadoh @ GAMH

March

01 - Snow Patrol, OK GO @ Bill Graham Civic Auditorium
01 - French Kicks @ Slim's
02 - Jolie Holland @ The Fillmore
02 - The Dandy Warhols @ Mezzanine
02 - Ted Leo + The Pharmacists @ GAMH
02 - Autolux, Snowden, Malajube @ The Independent
03 - The Spinto Band @ Rickshaw Stop
03 - Clinic, Earlimart @ The Independent
04 - Midlake @ Bottom of the Hill

April

27 - Coachella Valley Music & Arts Festival @ Indio Polo Grounds
28 - Coachella Valley Music & Arts Festival @ Indio Polo Grounds
29 - Coachella Valley Music & Arts Festival @ Indio Polo Grounds

The Faint, Ladytron (Hollywood Palladium, 7 December 2006)

2006-12-10T20:48:00.000-08:00

Here we go again.

I flew down to Los Angeles to see The Faint play with Ladytron and Ratatat at the crappy Palladium. I haven't been to the Palladium since Blur played there in 1997. I wasn't excited to see a band play there then, and I certainly wasn't pleased to see a show there nine years later.

What I forgot to mention in my previous post was that this whole thing was sponsored by Camel cigarettes. I have no problem with certain advertisers promoting a show, but something about cigarettes makes me feel uneasy. Well, whatever. The only weird part was seeing all this Camel paraphanelia everywhere. Otherwise, I didn't pay much attention to all that.

I didn't see Ratatat, but I would imagine their set was similar to their S.F. one.

Ladytron I saw and they were pretty good. They were better when I saw them play the Fillmore because of the visuals. And I think they were in better spirits. It was the 5th time they played L.A. and they played pretty much the same songs they've been playing the entire tour. I was in the back for their set, and danced accordingly to "Destroy Everything You Touch" and "Seventeen."

Then the Faint. They started off with the same song, but I didn't have the drive to go see them up close.

That was my initial feeling. When I saw Blur at the same venue nine years earlier, I was in the same disposition. Then when the second song played, I made a mad dash to the front.

And I did the same thing here.

Same exact set list. I got more bruises, sore muscles and plenty of sweat. My size S shirt turned into an XL.

Cheers to the security guards for keeping an eye on the crowd and giving us water. I am eternally grateful.

Beer Rating: 0 Beer

The Faint, Ratatat (Mezzanine, 5 December 2006)

2006-12-10T20:24:00.000-08:00

I was so excited to see The Faint and Ratatat last Tuesday night. So much so that I made it a goal for me to dance like crazy, with or without any friends around me. Well, mission accomplished.

Ratatat came on first and they were great. They were a lot tighter than when I first saw them in San Diego two years ago. They were accompanied by a keyboardist this time and they played a lot of songs from Classics and some from their self-titled debut. Highlights include "Wildcats," which got a giggle from some of the crowd because of the cougar sounds. Biggest reception was for "Seventeen Years." Very tight and enjoyable set. Definitely a great way to start the night.

The Faint came on shortly therafter. I found my way to the very front and was excited to be in the middle of it all. As the show progressed, I somehow found myself front and center of the crowd. Unlike their show with Bright Eyes, The Faint didn't have the great visual set-up. The visuals were the same, but there was a lack of screens and lighting. Minimal, yes, but their performance more than made up for any visual scarcity.

They started off with "Dropkick the Punks," which I found odd. Once they started that, the crowd started to push forward and I got caught. I was hopping around like mad, and even more so during the next song, "Paranoiattack."

Naturally, they played a few new songs called, "Metal Hawks," "Geeks Were Right," "Fish in a Womb" and "Seduced." All the songs were pretty good, but I'm sure once their new album comes out, I will better appreciate these songs.

Definite highlights were "Let the Poison Spill", which caused me to dance a lot and get bruised on my arms and legs. The last three songs were just intense, with "Desperate Guys," "Glass Danse," and "Worked Up So Sexual." I was about to faint at this point (pun intended).

They ended their set with "Birth" and "Agenda Suicide."

So, the end result? I was bruised in several places of my body, I was drenched in awesomeness from head to toe, deaf ears, I got a setlist and a new track jacket. Fantastic show from start to finish.

Here's the complete setlist:

Dropkick the Punks
Paranoiattack
Call Call
Metal Hawks
How Could I Forget?
I Disappear
Hospital
Geeks Were Right
Posed to Death
Let the Poison Spill
In Concert
Fish in a Womb
Desperate Guys
Glass Danse
Worked Up So Sexual
------
Seduced
Birth
Agenda Suicide

Beer Rating: 0 Beer

Best Albums of 2006

2006-12-04T21:40:00.000-08:00

There were over 144 albums or EPs that I downloaded onto my iTunes this year. A rather surprising number and, indeed, packs quite a wallop on the wallet. Of those 144, here are my top 50 albums of 2006:

1.
Cat Power – The Greatest

A sober Chan Marshall creates the best album of the year. Solid from start to finish, with a true blues band accompanying each and every word. I will no longer call her Crap Power. But I will still call Blonde Redhead “Blonde Shitehead”.

2.
Mew – And the Glass Handed Kites

Listen to “Apocalpyso,” “Special” and “Zookeeper’s Boy” in order. The way each song flows from one to the other makes it one of the best consecutive tracks I’ve ever heard.

3.
Arctic Monkeys – Whatever People Say I Am, That’s What I Am Not

These guys are just so much fun and full of energy. With clever lyrics to boot. “And all the weekend rock stars are in their toilets, practicing their lines.” Need I say more?

4.
The Rapture – Pieces of the People We Love

According to my iTunes, the song of the summer, “Get Myself Into It,” was played 20 times. It’s such a fun album, but gets weak after “WAYUH.”

5.
Belle & Sebastian – The Life Pursuit

Pure indie pop at it’s finest. “Funny Little Frog” and “White Collar Boy” pay homage to the 1960’s.

6.
Girl Talk – Night Ripper

This beats anything Party Ben has ever made. Sheer brilliance in mixing. Don’t call this a mash up album.

7.
Cansei De Ser Sexy – CSS

Who would have thought that Brazilians can make such clever electro dance pop? In English nonetheless? Not me, that's for sure. “…Death from Above” drives me crazy.

8.
Love is All – Nine Times the Same Song

One of the most underrated bands that ever came out of Sweden. The horns in “Busy Doing Nothing” are just amazing.

9.
Band of Horses – Everything All the Time

A mellow album that displays strong singer/songwriter elements. “Funeral” and “Great Salt Lake” are definite classics.

10.
Beirut – Gulag Orkestar

A 20 year old from Albuquerque, New Mexico making Eastern European gypsy music. Go figure. “Postcards from Italy” is a keeper.

11.
Camera Obscura – Let’s Get Out of This Country

Indie pop veterans do it again. “If Looks Could Kill” and “Lloyd I’m Ready to Be Heartbroken” are the hits.

12.
The Knife – Silent Shout

Darker sounding than Deep Cuts, The Knife is establishing itself as the premiere live electronic act of today.

13.
Mogwai– Mr. Beast

Another fine gem from these Scots. As intense as Come On Die Young but a lot shorter. It's not the length of the song, it's how you use it.

14.
Destroyer – Destroyer’s Rubies

I’m convinced that Dan Bejar and A.C. Newman are robots. They sound so similar. And, like robots, they are flawless in what they do.

15.
The Gossip – Standing in the Way of Control

Punk + R&B = The Gossip. Beth Ditto is most deserving to be on the NME Cool List this year.

16.
I’m From Barcelona – Let Me Introduce My Friends

This 20+ member indie pop outfit from Sweden has created a song that describes my trials and tribulations of waking up from Monday through Friday.

17.
Jenny Lewis with the Watson Twins – Rabbit Furcoat

An album so strong that Rilo Kiley better be careful.

18.
Tap Tap– Lanzafame

I still don’t think they sound like the Arcade Fire, but this album was one of the few hidden gems this year.

19.
Xiu Xiu – The Air Force

You haven’t seen a video until you see “Boy Soprano.”

20.
Yeah Yeah Yeahs – Show Your Bones

Way different than Fever to Tell. While others chided them for it, I applaud Karen O. for changing it up.

21.
Midlake – The Trials of Van Occupanther

After seeing them open up for the Flaming Lips this year, a definite must-see and must-hear band. Melodic indie rock.

22.
Shearwater – Palo Santo

Okkervil River but not as good.

23.
Tapes 'N Tapes – The Loon

One of the most overhyped bands in the blog world. They back it up with this album...sort of.

24.
Sufjan Stevens – The Avalanche

Wasn’t too sure to include this since it’s mostly extras from Illinoise. But I like “Dear Mr. Supercomputer” and all the versions of “Chicago.”

25.
Annuals – Be He Me

Watch out in 2007. I think Chapel Hill will become the next Omaha.

26.
Talkdemonic – Beat Romantic

Where the hell was I when this was released? And how come I just found out about them? Brilliant.

27.
The Black Heart Procession – The Spell

Representing the 619, this band makes me proud to say that I am a native San Diegan. Otherwise, I’m from San Francisco.

28.
The Delays – You See Colours

At first, I thought this was crap. Then it grew on me. I love it.

29.
Ima Robot – Monument to the Masses

Sounds like their previous album. If it ain’t broke, why fix it?

30.
The Fratellis – Costello Music

One of the few NME bands that was actually worth the hype.

31.
The Decemberists – The Crane Wife

Too repetitive. How many times do you really need to say "perfect crime"? Sounds a lot like the other albums. But it’s still good.

32.
Emily Haines & The Soft Skeleton – Knives Don’t Have Your Back

Beautiful piano in all of the songs. A complete and refreshing departure from Metric.

33.
Joanna Newsom – Ys

Much more polished than The Milk-Eyed Mender and some songs are just damn long. But still great.

34.
Lily Allen – Alright Still

So, shoot me if I like Lily Allen. I saw you dancing to “Smile” at Popscene fucker. Yeah, you know who you are.

35.
Lady Sovereign – Public Warning

“If you love me then, thank you! If you hate me then, fuck you!” Yeah, simple, huh? How come you couldn’t think of a chorus like that?

36.
Malajube – Trompme - L’Oeil

I never quote from Spin but I will now: Malajube is French for “rock that doesn’t suck.” Listen to “Le Crabe” full blast while you’re hitting something or someone. And then run!!!

37.
MSTRKRFT – The Looks

Even though they suck live, this album is great.

38.
Ratatat – Classics

Who would have thought that having a jaguar howling at precise moments in a song can be bloody brilliant? “Wildcat.” Pay $0.99 (or not) and download it.

39.
The Pipettes – We Are the Pipettes

It’s like Back to the Future music, but better. They are the prettiest girls you’ve ever met.

40.
Pretty Girls Make Graves – Elan Vital

Strong album. Just watch out when the lead singer chucks his guitar.

41.
The Blow – Paper Television

“Pile of Gold” is pretty addictive.

42.
Spinto Band – Nice and Nicely Done

Their version of “Oh Mandy” is a lot better than Barry Manilow’s.

43.
Morissey – Ringleader of the Tormentors

The man is a living icon and he continues to make strong albums. While the rest of the Smiths are still trying to figure themselves out.

44.
Oh No! Oh My! – Oh No! Oh My!

They suck live. But this album is pretty good.

45.
Cold War Kids– Robbers & Cowards

Boys from L.A. exhibit so much soul and energy in each of their songs. “Hang Me Up to Dry.” That’s the keeper.

46.
Elf Power – Back to the Web

Yeah, I’m behind with these Elf Power guys. If you’re longing to hear something even remotely close to Jeff Mangum’s Neutral Milk Hotel, this is your album.

47.
Sparklehorse – Dreamt of Light Years in the Belly of a Mountain

After all this time, they finally released an album. And it’s just “okay” compared to the others.

48.
Phoenix – It’s Never Been Like That

Weakest album of their discography. But still some catchy songs like “Napoleon Says.”

49.
Islands – Return to the Sea

The Unicorns? Who are the Unicorns?

50.

The Killers – Sam’s Town

Jarvis Cocker - Jarvis

OK. You must be wondering why I have two albums in number 50. It's my list and I can do whatever I want. You can give me shit for putting The Killers in my top 50. But I like “When You Were Young” and “Johnny.” And Ms. Julie S. was right when she said to me at 1am "give the KING of Britpop his rightful place in the top 50." With songs about about fat kids ("Fat Children"), dead beats ("Don't Let Him Waste Your Time") and C U Next Tuesdays ("Cunts are Still Running the World"), who am I to argue?

Tussle (Cafe du Nord, 2 December 2006)

2006-12-03T14:14:00.000-08:00

What the hell happened?

I went to the Tussle show last night after spending a wonderful time with some friends at a birthday party. I was pretty psyched to see Tussle, since they always put on a good show. The simplicity of their sounds just makes you want to shuffle your feet.

As Charky and I made our way to the front, we all of a sudden entered a whole new dimension. It's like the freakin' Twilight Zone. First, I saw Tomo, the guy from Hey Willpower, manning the bass and some synths. I didn't even know he was part of Tussle now. And what's with all these electronic gizmos on stage? They had gizmos before, but it seems way over the top now. And, to cap it all off, I was surrounded by these Bonchees. I'm like, huh? What happened to the indie kids who went to theTussle show when they supported The Gossip and Numbers? Or when Tussle played Hotel Utah? Very weird.

This was their album release party, so I was expecting to hear a lot of new songs, which I did. The new songs were good, but not as simple and straightforward as Kling Klang. It was more sophisticated, advanced and electronic. Which is great and all, but what I liked about Tussle was the overall simplicity of their sound. Nothing but percussion, and none of that filler.

I don't know the names of any of their new songs, but they just played it and I liked what I heard. And I would have enjoyed it more if that stupid Amazonian woman would stop slithering her way through the crowd and standing right in front of me. Like, what the hell Bonch? And please stop pressing your body against mine. I know I'm hot and all, but you're not my type and I'm not going to stoop to your Bonch dance style. Oh, and there was this other girl who, from behind, looked like someone I knew. It weirded me out and I wanted to hide. Of course, I was okay because of the Amazonian covering my entire view.

Tussle ended their main set with "Here it Comes" from Kling Klang. For this song, they invited the crowd to participate. They handed out various percussion instruments such as cow bells and drum sticks to pound on beer glasses, Red Stripes (it was a $1 off that night) and whatever else they can get their hands on. It was fun, seeing all of them participate. Hell, even the Bonch girls contributed by banging on the drummer's cymbal and they actually had some rhythm. Good job Bonch girls.

Like the Dears show the night before, I left after the main set. Looking forward to the chilly evening air I was about to encounter as I ride my bike back home.

Beer Rating: 1/2

The Dears (The Independent, 1 December 2006)

2006-12-03T13:53:00.000-08:00

It's that time of the year again. The craziness that is the holiday season. As I'm writing this entry on this fine Sunday afternoon, I'm thinking of all the things I need to accomplish. Shopping, holiday cards, planning the holiday party, year-end stuff I need to do, ranking all the 50 best albums and the 20 best shows I attended this year, getting psyched for The Faint, work stuff, etc. It's enough to do your head in, you know?

So, I went to the Dears show on Friday for the sole purpose of crossing off what I've been meaning to do for a couple of years: see them. I had a ticket to see them at Cafe du Nord but gave it up because I was too tired. I had an opportunity to see them at Popscene, but, again, I was too tired to go. Last Friday, I was also really tired, but I pushed on and went.

Was it worth it? Well, kind of. The company was good as always, but the Dears live is, to me, just average at best. Before they took the stage, they started off with these weird theatrics that, quite honestly, should have been avoided. If they want better lighting tricks and theatrics, they should consult with Secret Machines or the lighting guys for Kasabian.

As for the songs themselves, I always found the Dears' songs to be good. Borderline "average" Coldplay/Keane like in some ways, but the rockin' elements and the lyrics give the Dears a bit more edge than Coldplay or Keane.

The Dears started off with "Ticket to Immortality" from their new album Gang of Losers. It was a very promising start to their set. Murray Lightburn doesn't sound like Damon Albarn live, despite his album vocals. To the sides of the stage were the ever so beautiful Valérie Jodoin-Keaton and Natalia Yanchak providing some backing vocals, synths and some percussion. I focused on them if I was bored, which I was during some of their set.

"Lost in the Plot" was the 4th or 5th song and it wasn't as good as I'd hope for. I played that song non-stop at one point two years ago, but it lost its lustre live.

"Death or Life We Want You" was one of the few outstanding live songs they played. The guitar work was pretty good to hear. And Valérie's and Natalia's backing vocals were pleasing as well. "You and I are a Gang of Losers" was also wonderful. For this song, Valérie, Murray and Natalia did some amazing harmonizing towards the end, prompted someone from the crowd saying, "Fucking awesome!" immediately after the song. I concur.

I left early, before their set ended. It just went on and on and on. Granted they were good, but I was just bored and tired. Just when I think they were about to end, they kept going. The ending of most of their songs are just too epic.

Beer Rating: 1/2

Calendar Updated

2006-11-20T21:08:00.000-08:00

December:

1: DJ Egyptian Lover (Club Loaded) @ Rickshaw Stop
3: The Sounds, Ima Robot @ The Fillmore
29: My Morning Jacket @ The Fillmore
30: My Morning Jacket @ The Fillmore
31: My Morning Jacket @ The Fillmore
31: Blonde Redhead, et al. @ Mezzanine

January:

5: Stephen Malkmus & The Jicks @ Bimbo's
5: Every Move a Picture (Club Loaded) @ The Rickshaw Stop

February:

1: Of Montreal @ Bottom of the Hill

Hot Chip (Mezzanine, 17 November 2006)

2006-11-20T21:04:00.000-08:00

To this day, I'm not that impressed with Hot Chip's album. I mean, "Over and Over" is easily in my Top 5 songs of 2006. But, overall, the album is just so-so. I was supposed to see them the first time they came to the Independent, but opted for rest rather than going. My friends said they enjoyed them. But that could have been the alcohol talking. So, I bought a ticket, hoping that I can be proven wrong.

In some ways I was, otherwise it was okay. The company was great, but the show itself was just so-so. They did mix their songs well and they sounded pretty good. But I just couldn't get into it. No matter how hard I tried. I had plenty of drinks too, and it still didn't help. And their rendition of "Over and Over" was okay.

Eh? Yeah, I don't know.

Beer Rating:

Lemon Sun (The Rickshaw Stop, 16 November 2006)

2006-11-20T20:49:00.000-08:00

I was invited to go to the Rickshaw Stop to check my friend's band, Lemon Sun, perform. Lemon Sun were in town as the openers for Irving. I've never heard of these guys prior to this show.

From what I heard, not bad. The albeit sparse crowd seemed into it. They are total rawk, in that psychadelic sense. They didn't play many songs since their drummer experienced some sort of technical problems. After checking out their MySpace page, I determined that the songs they played include "Telephone," which is their current single. And the catchy guitar chords in "The Face."

Oh, and they did an amazing cover of David Bowie's "Rebel Rebel." It was probably one of the best Bowie covers I've heard anyone do.

Overall, not bad. Way better than the other bands I've seen at Rickshaw.

Beer Rating: 3/4

New Shows Added

2006-11-16T19:11:00.000-08:00

Lots of good stuff in the next few months:

December:

7: New Young Pony Club @ Popscene
8: Lily Allen, Starsailor (acoustic) @ Mighty
13: Public Enemy @ Mezzanine
21: Silversun Pickups @ Popscene
29: Diplo @ Mezzanine
30: Two Gallants (acoustic) @ Bimbo's
31: Birdmonster @ Bottom of the Hill

January:

12: Girl Talk @ The Independent
30: Deerhoof @ GAMH

February:

1: Ron Sexsmith @ GAMH
2: Of Montreal @ GAMH
3: Of Montreal @ GAMH

March:

1: Snow Patrol @ Bill Graham Civic
7: Mountain Goats @ The Independent
8: Mountain Goats @ The Independent
9: Mountain Goats @ Bottom of the Hill
19: Under Byen @ GAMH

Islands (GAMH, 9 November 2006)

2006-11-10T23:25:00.000-08:00

I remember back in Noise Pop 2004, I saw the Unicorns play GAMH. There, I witnessed the wackiness that is Nick Diamonds and the rest of the Unicorns. They were all dressed in pink and white. They all were hopping around and climbing up speakers. Yet, they sang, they played and they were fun.

Nick Diamonds, and former Unicorns drummer J'aime Tambeur, are now Islands. Along with the Chow brothers (who were 1993 and 1994 Super Nintendo champions) on strings, a sax player, a bassist and a couple of rappers, the Islands mirrors The Unicorns in many ways, but less so in the wackiness part. Personally, I think Islands are better than The Unicorns.

They came on around 11pm and the crowd immediately warmed up to them. Many going crazy every time Nick opened his mouth. Nick walked on stage with a head attached to his neck and some sort of jumpsuit. As he was singing, he removed the head and the jumpsuit, revealing a white tank top and white jeans, and then put powder on his face. It was wacky, but not that wacky. Nick also teased the crowd by going near the edge of the stage as if he was going to dive right in. He never did.

They played everything from their great album, Return to the Sea. They also did a cover of Ray Davies' "Waterloo Sunset," which they claimed was their first song. The crowd went crazy when they played "Rough Gem," "Ones," the first song in the encore "Don't Call Me Whitney, Bobby," and wowed with some hip hop during "Where There's a Will, There's a Whalebone."

But don't dare yell out a request for a Unicorns song. Nick heard someone from the audience yell out "Jellybones" and threatened to kick that guy's ass.

I enjoyed the show. But I was freakin' tired. So, I wasn't hopping around like the rest of them. Rest assured, if I was awake, I would have.

Beer Rating: 1/2

New Shows Added

2006-11-07T20:51:00.000-08:00

November:

30: The Evangelicals @ Bottom of the Hill

December:

8: Live 105's Not So Silent Night featuring The Killers, Modest Mouse, The Raconteurs, The Shins and Silversun Pickups

29: Two Gallants @ Bimbo's

January:

12: Girl Talk @ The Independent

The Knife (Mezzanine, 3 November 2006)

2006-11-05T10:00:00.000-08:00

This was, easily, the hottest concert ticket in town. Sweden's The Knife played before an enthusiastic and packed crowd at The Mezzaznine on Friday. They brought with them a very elaborate stage set-up, with a bunch of visuals, glow-in-the-dark costumes and drum sticks and that eery, electro sound that only The Knife can produce.

I stood stage left and I was scrunched, as is customary at Mezzanine during sold out shows. It was uncomfortable in the beginning, but I eventually got used to it. Unfortunately for me, I wasn't able to truly enjoy the magnificent visuals The Knife had to offer. If I did, that means I had to either stand from afar or be at the venue right at 8pm.

They played about 12 songs, all from either Deep Cuts or Silent Shout. One of my favourite songs was "Pass This On." Here's a video of it I found on YouTube:

As you can see, the visuals were just amazing. There was this see-through curtain that covered the stage. I thought they were eventually going to raise it sometime during the show, but it remained there throughout. Of course, that's how the visuals were presented, and it covered Karin and Olaf, but not too bad. Karin was noticeably pregnant as well.

Another great one was "Marble House." Complete with talking head:

The biggest reception was for "Heartbeats." Whether you liked the Knife version or first heard the song through José González, you would have loved it live. Again, a YouTube video:

I have to say, the show was just jaw dropping. From the crisp sound they made, to the visuals, to the intrigue behind the Teletubbies type, glow-in-the-dark masks they wore, The Knife were well worth the hype. And Karin's voice was just amazing. Granted, it was heavily digitized, but she sang live and it still sounded album quality. I just hope that their motto of playing only a city once doesn't hold true. But if it does, I will keep this show in my pocket.

Beer Rating:1/2 Beer

Love is All, Voxtrot (Popscene, 2 November 2006)

2006-11-04T09:43:00.000-08:00

Love is All. Fantastic. They ride bikes!! They hail from Gothenberg, Sweden (the "West Side!", as Josephine said with a cute, Swedish ghetto rapper accent). Love is All made their San Francisco debut tonight at Popscene in front of a surprisingly sparse crowd. I got there early, thinking that it'll be jam packed. And why not? These guys are fantastic live and definitely worth all the buzz. Granted, their music isn't super melodic like the headliner, Voxtrot, but noise is great. Josephine Olausson's vocals reminds me of Manda Rin from the now defunct Bis. And that's a cause of great concern for a lot, but I love Bis and I love Love is All.

They played a lot of songs (which isn't surprising because most of their songs are pretty short). Nobody around me was dancing except for that little corner stage right. Josephine focused her attention to them a lot, while I was relegated to the middle front. They opened up with "Talk Talk Talk Talk" complete with cowbell in hand. Fredrik's sax was very good for this one, albeit piercing at times because of the Popscene sound system. I loved it when they played "Busy Doing Nothing" from their great album Nine Times the Same Song. I wanted to hop around and jump, but I was among still people, so I just danced in place. Same thing happened during "Spinning and Scratching." But they were lively on stage and fun to watch. They ended with "Make Out, Fall Out, Make Up" with its long guitar beats. Great! Me and some other guy shouted for "Felt Tip," but Josephine said that they don't play that well live. They even did an encore, "Used Goods"! I hope to watch them in better venues where people are more receptive. It's only a natter of time.

En ståtlig föreställning!!

As for Voxtrot, I was in the back. As I was chatting and dancing with friends, Ramesh, the band's lead singer, was singing along to Arcade Fire's "Rebellion (Lies)" as he was setting up. I like Voxtrot, but missed them several times this year for reasons I forget at the moment. They opened up with "Mothers, Sisters, Daughters & Wives." It was a fun start. Then they played "Raised by Wolves" which is one of my favourites. After that, it was a wash. I don't know why I lost focus or didn't pay attention to them after "Raised by Wolves." Maybe it was because I was destracted by thoughts of what was to happen the day after at work. Or could it be the greatness of Love is All!! Probably both. But, Voxtrot, they were good but it got boring. I think they need someone to harmonize with Ramesh. Once they do that simple thing, they will be an even better indie pop band.

Beer Ratings:

Love is All -
Voxtrot -

MSTRKRFT (Mezzanine, 1 November 2006)

2006-11-02T00:57:00.000-08:00

Today is Dia de Los Muertos, or Day of the Dead in English. It's also the post-halloween hangover for most of us. Luckily, I wasn't part of the living dead walking around S.F. Although, it seemed like the Mezzanine was that way earlier tonight. However, it eventually picked up and the crowd seemed alive and well.

I arrived at the Mezzanine to see MSTRKRFT spin their tunes. I haven't been to a DJ show in a while. If you don't count Daft Punk or Oakenfold at Coachella, it's been a good number of years since I attended anything like that. The environment was just way different than what I'm accustomed to, which isn't a bad thing.

Before MSTRKRFT, the house djs were spinning their thing and doing a rather good job at it. Club tune favourite "Over and Over" by Hot Chip got the best reaction.

MSTRKRFT came on around 11:30 and played for a good hour. It was energetic and the crowd seemed mad fer it. There were a handful of them also dancing on-stage before the bouncer kicked them out. I was tired so I wasn't into it. I did dance a bit, but not to the point of me going crazy like at the Ladytron show.

It was loud. They played everything they got, and more. Re-mixed somewhat to not make it sound boring and redundant. It was alright.

Beer Rating: 1/2

Van She (Mezzanine, 31 October 2006)

2006-11-01T01:37:00.000-08:00

This won't take long. Especially since I have an 8am dentist appointment later today.

Van She. They were alright. I was expecting a lot more from them. Which is my bad because I should have expected less. I only know one song, "Kelly," and that was played alright. On YouTube, it's much better with all the visuals of young kids making out, etc. But live, it was just an average song played by an average band. Some of the audience were into it, but I am sure they were pretty hyphy before they went to see them.

Here's the YouTube:

The only consolation was that I didn't pay. It was a free show, so I shouldn't really complain. But I will.

The first band that played, Soft Lightes, were okay too. Nothing spectacular.

I was about to leave when my friends decided to just stay a little bit to dance. So, after Van She came this other group of freestyle rappers or whatever. One of the girls was grotesquely large. I even have a dance for her (which I will demonstrate upon request). But they were fun, yet annoying. Singing stuff that we all think about like pimple popping and other nonsense. I left.

Beer Rating:

Jenny Lewis & The Watson Twins (The Fillmore, 30 October 2006)

2006-10-30T23:37:00.000-08:00

Yes, yes. The picture is crooked. So sue me. Isn't it cute though with the rabbit? I like rabbits.

But I digress.

Jenny Lewis. The epitome of cute. The Watson Twins. The epitome of Amazonian. Cuteness and the Amazon aside, Jenny Lewis' show at the Fillmore easily surpassed her Swedish American Music Hall show back in February. At SAMH, she played a smaller venue and her live material wasn't as polished. Now, at a bigger venue, bigger band and months of touring behind her (this was their last show of the tour), Jenny Lewis not only sounded and played better, but she added some cute touches to her live show.

We were a bit late going to the show, but it felt like we didn't miss a beat. She played pretty much all of her debut album Rabbit Fur Coat along with some newer songs. "Happy," for example, was just serene. Jenny's voice was in top form. Especially when she would say "happy" in that falsetto voice of hers. "The Charging Sky" was a happy song. "You Are What You Love" was a refreshing song in the middle of the set.

Jenny and the Watson twins had a costume change. As they were changing backstage, her backing band introduced themselves. Then out came Jenny with this gold sequin mini dress and they sang "Fernando." No, it isn't an ABBA song.

Other new songs were played. "Jack Killed Mom" was something straight out of Yee-Haw, but it was a fun song. Has that folksy, jazzy, blue grass-like quality to it. Jenny and the Twins also did this accappella song (which they also did in the February show) about meeting a guy on Tuesday, dating him Wednesday, kissing him Thursday, not showing up Friday and then ditching him sometime in the weekend.

They finished their main set with "Born Secular." This was just absolutely beautiful, with Jenny's voice just reaching high points as if she was Mariah Carey. Jenny left the stage first, then the Twins, and then the rest of the band, with the drummer doing a little solo before leaving.

Jenny came back and did "Rabbit Fur Coat" as an encore. Beautiful! Just her and the acoustic guitar. Then the band came back on and they all sang backing vocals to some other new song.

Not bad for a show I wasn't even supposed to attend.

Beer Rating:

Two Gallants (Bottom of the Hill, 22 October 2006)

2006-10-30T19:02:00.000-08:00

Fresh from their bust up with Houston police department, Two Gallants played their final show from their extensive U.S. tour last week at Bottom of the Hill. After that, they will be off to Europe to play even more shows.

I was supposed to go to their show the previous night, but something called "work" got in the way and I missed it entirely. Luckily, I was able to catch them and not miss a beat.

I don't know how else to describe the show other than "powerful" and "complex." Adam Stephens' "powerful" voice and accompanied by Tyson Vogel's "complex" drumming made these guys a lot of fun to watch and listen to. Well, except when Stephens would play the harmonica, but that's more Bottom's soundboard and PA rather than Stephens' harmonica playing. It was piercing. Now I know how dogs feel when its master whistles.

They played everything I wanted to hear from their two albums. Highlights include "Las Cruces Jail," which was very profound and energetic. Same thing goes with "Nothing to You." "Long Summer Day" was a folksy song addressing the racial undertones prevalent in the U.S.

Beer Rating: 1/2

Beirut (GAMH, 20 October 2006)

2006-10-27T23:40:00.000-07:00

Finally. A buzz band that didn't come from New York, London, Montreal or Omaha. Beirut, a band of young musicians from Albuquerque, New Mexico, played a very enthusiastic and spastic set at a sold out Great American Music Hall. With nary a guitar in sight, these guys played with horns, violins and "the ukes."

After reading all the blogs about these guys, I was expecting a really rough show. Beirut are fairly new, and their live act isn't exactly perfect. However, at GAMH, they were flawless. At least it seems like it to me. They played every chord and timed their trumpets just right. They were enthusiastic and engaged the crowd to yell, scream and do other things. And having the lead singer blow the horn but yet still have enough air in his lungs to sing the high notes also perplexes me.

"Postcards from Italy" is my favourite song from Gulag Orkestrar and they played it really well. These guys came on for 2 encores and played every single song they know. Which is, so they say, rare for these guys? And also, "Scenic World," my least favourite song in the album, actually sounded great live. "Prenzlauerberg" was a crooning masterpiece. Everytime the horns played, it seemed like a new, uplifting experience.

And they even went on the floor with the crowd. Kinda like how Art Brut does it. But Art Brut does it better.

What can I say? Beirut's buzz is well deserved.

Beer Rating: 1/2

Mew (Popscene, 19 October 2006)

2006-10-27T23:27:00.000-07:00

Immediately after the Decemberists show at the Warfield, me and a couple of newly met friends decided to raid the remaining Sophia Minis over at Anu on 6th Street. We walked past the crazies and got there just in time. After our other friends met up with us, and after we got several free goodies like Marie Antoinette pins, nail polish and some masks (my halloween costume solved!), we gave our Popscene connection a call to see if Mew already played. Fortunately, they didn't. About 6 people smooshed in my car and we headed over to 330 Ritch.

As usual, we were met with a wicked long line. From the sound of it, Mew were already playing, or just started playing. Our connection got us in, sparing us the wait in line.

Mew were fucking amazing! I was an idiot not to buy a ticket to their show with Kasabian. That would have knocked my socks off. Even though I can barely see a lick over at Popscene, I was able to hear the music. That falsetto voice was just "wow." And the guitar work, pure genius. The songs were beautiful. They were true rock stars. And could possibly be one of the better bands that broke into the scene this year (yes, I know they've been around for a while, but I didn't hear of them 'til this year -- so don't hate).

I can't really say much else other than "wow."

And then we danced to Justin Timberlake's "SexyBack" immediately thereafter. What a way to cap off a music filled evening!

Beer Rating: 0 Beers

The Decemberists (The Warfield, 19 October 2006)

2006-10-25T23:59:00.000-07:00

Tonight was a promising one. Not only did I have a ticket to see the Decemberists, but it's also free Sofia Minis night. That's right. That crazy lady Sofia Coppola is giving away her canned wine to anyone who wants one at various locations in the City to promote her new film. Well, I drank one and it was actually pretty good.

With some alcohol in my system, I arrived at the Warfield to see the Decemberists. I was a bit late getting in there. The stage immediately caught my eye because there were all these high hanging chinese lanterns all over the place. Colin also sounded pretty good. I think he was singing "We Both Go Down Together," from Picaresque. The floor was pretty packed so I was relegated to the extreme stage left side. I left the floor and went to the back where I got a better view.

The Decemberists were good. Colin and his co-horts turned out a pretty good show. Colin's voice was top notch, and the instrumentation was as well.

They played a lot of songs from the new album as well as some old favourites. Among the new album songs they played were "Shankhill Butchers," "Perfect Crime," and "Crane Wife." They also played "July July" among their oldies.

Overall, it was a good show, but it could have been better.

Beer Rating:

Ladytron, CSS (The Fillmore, 16 October 2006)

2006-10-17T00:05:00.000-07:00

When I last saw Ladytron at Mezzanine, they played a great set but the venue sucked ass. We were relegated to the top floor of the venue, with lots of room to dance but with little sound and horrible views. Tonight, not only did I see Helen Marnie in all her beauty, but I can actually hear every minute keyboard and note sung. It was amazing, and probably the best Ladytron show I've ever seen.

CSS opened up first. I love these Brazilian girls and all their spunk. I missed probably 15 minutes of their set. But I caught the songs I wanted to hear including "Art Bitch", "Alala," and, of course, "Let's Make Love with Death from Above." They were full of energy and engaged the crowd with much dancing.

After about a 30 minute wait, Ladytron came on next. They had a stage full of KORG equipment, complete with white screen backdrop and lights. They opened up with "High Rise" from Witching Hour. An awesome start in their nearly 80 minute set. Helen was looking super, super, super gorgeous with that bob, slender figure and magnificent dress with a keyhole showing just the right amount of skin accented with a single pearl necklace.

From the get-go, I was dancing. I was not still. Every muscle of my body was constantly moving. I danced the most during "Evil" which is my favourite song from Light & Magic. Hopped like a rabbit on crack during "Everything You Touch." And danced some more during "Seventeen" and "Blue Jeans."

A surprise song that I liked was "Beauty*2". I don't really pay attention much to this song when it pops up on my iPod, but when I heard it live, it gave the song a whole new meaning. It is definitely one of my favourites.

Probably my least favourite song was "Witching Hour." I would have rather heard something from 604, like "Ladybird," but alas.

Helen's voice during "International Dateline" just made my jaw drop. Like when she reached the high notes during the chorus. Even more so during "Last One Standing." Her striking beauty, accompanied with her dynamic vocal range equals <3>

Mira was also awesome when she sang "Fighting in Built Up Areas" and "Cracked LCD." She received the biggest crowd reaction when she sang "He Took Her to a Movie."

Flawless from start to finish. Great visuals and lighting. Great musicians. Great show. Tons of fun!

Beer Rating: 0 Beers

Sufjan Stevens (Zellerbach Hall, 11 October 2006)

2006-10-14T17:56:00.000-07:00

Like last night, I was faced with the dilemma of whether I should go see Sufjan or stay at work. This was a lot harder to decide because I already saw him last night and I was afraid that last night's show will tarnish the majesty of tonight's show. Because, let's face it, Sufjan will do the same thing, for the most part, and the novelty of the whole thing will just wear off. Again, my friends called, giving me updates on when My Brightest Diamond's set ended and the ETA for Sufjan. Well, I decided to go see him again. Just because, well, why the hell shouldn't I?

This time, I was determined to get a Superman or a Santa Claus, at the least. I also brought a camera to take pics and video.

I missed two songs but I at least arrived without shortness of breath or sweat. He played a lot of the same songs from last night, albeit in different order. This is how it chronologically went:

The Transfiguration
The Tallest Man, the Broadest Shoulders...

He Woke Me Up Again

I don't think he played this the night before and I was glad he played it tonight. I love songs from Seven Swans. It seems like a treat when he plays it.

Detroit...

Again, the A's lost to the Tigers that night and Sufjan made sure everyone in the crowd knew about it. But Sufjan does have a point: it's been nearly 20 years since Detroit won a World Series.

The Predatory Wasp of the Palisades is Out to Get us

Sufjan told this story about his friend Franco during this set. His childhood friend looked like Frank Sinatra, hence Sufjan was wearing a Sinatra-style hat. The story got a bit weird with the wasps, the bats, making a house using straw and leaves, etc. Entertaining though.

Abraham
Casmir Pulaski Day
Seven Swans

The ending to this song was just amazing! My goodness, just that dissonance at the end makes me shiver.

That Was the Worst Christmas Ever

So this was my first chance to get an inflatable Santa. Unfortunately, damn bastard in front of me got a hold of one. Why am I so obsessed with getting one? Here's the video:

Jacksonville
Majesty Snowbird
The Man of Metropolis Steals our Hearts

OK. This is my second chance of getting one. And this was the Superman one damn it! I'm ready and willing. Unfortunately, the guys behind me got two. Bastards again! And the guy next to me got one. I wanted to "tug-o-war" him for it, but let him have it.

Unlike last night, they played only one encore, "Chicago" which I thought wasn't really a true encore.

It was a great show, but it didn't compare to last night's.

Oh, by the way, look what my friend gave me at the end:

Thank you M!!!!!

Beer Rating:

Sufjan Stevens (Zellerbach Hall, 10 October 2006)

2006-10-14T17:25:00.000-07:00

So here I was at work, at around 8:30 p.m. Working on something really important. Something that needed all my brainpower and expertise. But I couldn't focus because I was in quite a dilemma. Do I dare miss Sufjan Stevens in Berkeley so I can continue working? After several calls from friends, I decided to bite the bullet and go to Sufjan. I drove as fast as I can, ran from one end of the Berkeley campus to the other, nearly ate it near a dance troupe practicing in the quad and made it with not a second to spare. Literally.

After I caught my breath, I was just in awe of the set-up. The last time I saw Sufjan was in Lincoln Center in New York. In that show, he had a full orchestra. Here in Berkeley, he was not only accompanied by a string and horn section, but also a full-on choir. I think at least 39 musicians were on-stage, with the choir dressed in all black while the rest had butterfly wings while Sufjan wore huge bird wings (since he is the Majesty Songbird).

The first song was "Sister" from the amazing album Seven Swans. It was a nice start to the show, and you can just hear Sufjan's soft and soothing voice just put a calm to the audience. Thank goodness, because it enabled me to catch my breath.

It's either the second or third song did Sufjan launch into "The Man of Metropolis Steals Our Hearts." The band started off with Superman's theme music and then a barrage of Superman inflatables started dropping down from the sky. The lucky bastards who were able to keep one: I hate you. I wanted one so bad! But oh well. It was a fun song and very upbeat.

Sufjan played a little over 2 hours! Every single song was just amazing and it was just a perfect setlist all around. During "The Transfiguration," Sufjan and the entire band went on this really ominous sounding ending. Just a barrage of music and voices going all around, sounding like as if the apocalypse is about to happen. You had to be there to witness this. He did something similar towards the ending of "The Predatory Wasps of the Palisades is Out to Get Us!"

Sufjan then pushed the Berkeley crowds' buttons when he played "Detroit" and rooted for the Tigers. Ironically, the Tigers just killed the A's that night and the crowd wasn't having it. A friend of mine just came back from the A's game to catch Sufjan, A's foam finger and all, and got all pissed.

He also played a new song called "Majesty Songbird" It's a little under 10 minutes long and every single movement in it is just amazing to listen to. It's gripping. I loved it! If this is a sign of future Sufjan songs, then I can't wait for the new album to come out!

While Superman flew from the sky, so did Santa Claus when Sufjan played "The Worst Christmas Ever." Like my Superman luck, no Santa Claus for me. Damn you all.

He ended his main set with "Chicago." Which, by the way, was my theme music as I was running like crazy to the venue from my far away parking spot.

A standing ovation was well deserved. Sufjan then came back out, sans costume, with the rest of the band and played a 2 song encore. Again, I forgot what songs those were, but they were quite a treat.

I had no regrets leaving work, running like mad and almost breaking my bones to see Sufjan. It was an amazing show all around and I couldn't wait to see him again the next night.

I can't compare this to the Lincoln Center show since that show was just a special treat. This one though, came awfully close to surpassing that show. But, regardless, it was definitely one of the best shows of the year.

Beer Rating: 0 Beers

Sonic Youth (The Fillmore, 1 October 2006)

2006-10-07T17:02:00.000-07:00

I don't know much about Sonic Youth. I wouldn't consider myself a big fan since I only own one album of theirs, their 2004 release Sonic Nurse. I even decided to forego seeing them for a bite to eat when I saw the Yeah Yeah Yeahs in Brooklyn earlier this year.

Nonetheless, I was invited to go and I couldn't pass it up this time. Below is a review from the Sonic Youth fan I was with:

-----------------------

sonic fucking youth. kool things, indeed. everytime i see them, it's as if no time has passed. kim and thurston are proud parents in their 50s, yet still rock it like no other (mop-top hair circa 1994 and all!) although i had just seen them in july on this Rather Ripped tour, i couldn't pass them up for round 2. sonic youth is notorious for playing their most current material during each show, with one or two oldies (but goodies) thrown in the mix. i was really hoping i wasn't in for a mere repeat of july's set. lo and behold, i was in for a treat right from the beginning when they opened with TEENAGE RIOT. daydream nation? yes, please. ian couldn't help but laugh at me as i scribbled down the set list throughout the show. here's what i got... (though it might not be 100% accurate):

- teenage riot
- candle
- reena
- incinerate
- (the one song i couldn't recognize.... sung by lee renaldo. i have a feeling it may be from the washing machine album??)
- do you believe in rapture?
- what a waste
- turquoise boy
- rats
- jams run free
- pink steam
- or

encore #1
- the neutral
- KOOL THING!

encore #2
- the world looks red
- shaking hell

---> TWO songs from Confusion is Sex??? sweet. these guys do it to me every time. i know i'm stating the obvious here, but no one does feedback like sonic youth.... and no one does twirling in stiletto heels like kim gordon. NO ONE. high fives for waves of high school nostalgia!

Bluetones Postpone San Francisco Show

2006-10-03T08:07:00.000-07:00

From Brooklyn Vegan:

The band sent out this note:

It is with great regret that The Bluetones are forced to announce the post-ponement of their planned shows in New York, Chicago, San Francisco, Los Angeles, Toronto, Sydney and Melbourne.

The band were looking forward to playing these shows but due to circumstances over which we have had no control, are not in a position to fulfil these commitments.

Due to legal reasons it cannot be discussed here the exact nature of what has caused the cancellations, but rest assured the picture will be made clear for everybody as soon we have the full facts in front of us.

Again, I can only stress that this was not a decision that was taken by the band, so much as made for, and unbeknownst to, us.

I cannot properly express the heartbreak all of this is causing us, and apoligize sincerely for any dis-appointment felt by people who have already purchased tickets for these shows. We will try to re-schedule as soon as possible, although that is probably small consolation right now.

As it stands we may well be able to play the scheduled gig in Japan, we are trying to salvage that this week, but if there is any change there will be immediate notification.

I'm so sorry to everyone, but we intend to bounce right back from this and get out to the cities we have so looked forward to playing for the best part of this year, as soon as possible.

We feel like we've been kicked in the teeth....love Mark. x x x

We Are Scientists, Art Brut & The Spinto Band (The Fillmore, 2 October 2006)

2006-10-03T00:02:00.000-07:00

I just came back from one of the best all-around shows I've seen this year. The sheer energy from beginning to end just drove me (and my ear drums) crazy

Let's start off with the Spinto Band. I know nothing about these guys, but I was impressed from what little I saw. I caught them playing 3 songs and they were all really good. Good energy on stage and even the banter was somewhat amusing. They're a large band, and they made their numbers work with providing a rich sound to their songs. I will definitely give their album a spin.

I'm going to save Art Brut for last, but We Are Scientists were the final band in this show. They were so much better tonight compared to when I saw them at the Independent back in March. They opened up with a new song which transitioned to "Nobody Move, Nobody Gets Hurt" from their debut With Love and Squalor. They were not nearly as entertaining as Art Brut, but they were good nonetheless. They also did a cover of Art Brut's "Bang Bang Rock N Roll" which sucked compared to the original. But, they convinced me to buy the split EP they were selling. While I was there, I missed "Inaction" which was the song I wanted to hear the most. Nonetheless, they ended with "Great Escape" which is a great track.

Ready Art Brut? Top of the fucking pops indeed! These guys never cease to amaze me. I've seen them at Bottom of the Hill in March, Coachella and then Great American Music Hall the following day. Yes, they put on a very similar show this time around as well, but what was different was the sheer energy. It was just different. Maybe it's Art Brut withdrawal, but they were just spot on tonight. Eddie was amusing as ever. Jasper Future and his crazy faces were just hilarious to look at. But the music was just great! Granted, I was near the speakers, so it seemed muffled, but it was just great to listen to. Her's the YouTube of Art Brut's "Bad Weekend":

Similar to other shows, Eddie went down to the crowd during "Modern Art" and, of course, I was there to greet him amongst others. Eddie and his big belly, pockets out and his signature rainbow socks was just strutting around the Fillmore.

Now, back to We Are Scientists. During their set, Spinto Band came along to dance. They had a little dance routine, that doesn't come nearly as close as OK Go's but it was entertaining. Here's the YouTube video:

W.A.S. bit off of Art Brut when Chris went down the stage, wireless bass at hand. Biter. Then, Art Brut members came on for the last song and sang with W.A.S.

Truly, Art Brut stole the show from W.A.S.

Beer Rating:

Mojave 3 (Slim's, 28 September 2006)

2006-10-02T19:16:00.000-07:00

It was a cold, windy night in the City. Fall is back and I was very excited about it. What better way to celebrate the return of the best season of the year than to have a nice, chill night with Mojave 3?

This was the first time that I've ever seen seats and tables on the floor at Slim's. The show wasn't sold out, but I didn't think that they needed to fill all that space. They do this too at the Independent and at the Great American.

The people that were there witnessed a fantastic show. Mojave 3 played a good amount of songs from their new album, Puzzles Like You. One of my favourite songs in that album, "Truck-Driving Man" was played with such precision. Neil Halstead's voice was just heavenly as he sang "hearts on fire, he's back in control now." The keyboards were a bit off I thought, but it was all about Halstead's voice. "Big Star Baby" was also a treat to listen to live.

Of course, if you've been a long-time fan of Mojave 3, it was the older songs that were the treat. "Trying to Reach You" from Excuses for Travelers almost brought a tear to my eye because of its beauty and for sentimental reasons.

AND! "Give What You Take" from Out of Tune was just jaw dropping.

"Starlite No. 1" from Spoon and Rafter gave me the shivers. I thought it was the chill air, but, yet again, it was Neil Halstead's voice. Again, the keyboards I expected to really pull through for this song, but it fell short.

They didn't play everything that I wanted to hear, but beggars can't be choosers.

Beer Rating:

Phoenix (Slim's, 23 September 2006)

2006-10-02T19:03:00.000-07:00

I've been so behind of late updating this blog. Just a whole slew of activities have been keeping me occupied but I think I'm back in the fold.

So, Phoenix. I saw these guys at Coachella and wasn't that impressed with their new material. However, after listening a bit more to It's Never Been Like That, the new songs grew on me.

With a big banner that displays the Phoenix crest and with a bunch of well-dressed French blokes, the crowd cheered on Phoenix as they strutted out to the stage. They opened up with "Napoleon Says," which is also the first track of the new album. A great way to energize the crowd, and from that point on, it seems like the crowd's enthusiastic energy was pretty much consistent throughout their 80 minute set.

Although the new songs did get some love like "Sometimes in the Fall," it was the older songs from United and Alphabetical that got the biggest reaction. "Everything is Everything," with it's disco sound got the whole crowd dancing. Even the annoying couple in front of me who thought they were the finalists for Dancing with the Stars. Losers. "Run Run Run" also had the same reaction, although a bit more mellow.

Of course, the biggest reaction came when Phoenix did "If I Ever Feel Better." And as is customary when they play this song, they mix it with the traditional version from United and then mix it with some rock elements towards the end. I love this version, and it adds some much needed edge to this song.

Sophia Coppola would be proud.

Beer Rating: 1/2

Emily Haines & The Soft Skeleton (Cafe du Nord, 22 September 2006)

2006-09-30T08:47:00.000-07:00

The last time I saw Emily Haines at Cafe du Nord, she was playing solo and was guided with a rope and a blindfold. Now, Emily has two other members in her solo side project and a whole slew of songs from her beautiful album Knives Don't Have Your Back.

Emily is so upbeat and crazy during her Metric shows that seeing her do slower songs is a welcome change. It just shows a different side of her. And she still looks damn hot doing it.

With various film shorts projected in the background, Emily played a good majority of her album. She opened up with "Our Hell" which is the first song from her album. The bass was a welcome to this song, but the sound system at the du Nord didn't necessarily cooperate with that. Her single, "The Lottery" was beautifully played with her voice singing each lyric delicately. Emily would chat with the audience every now and then, saying that the guys from Metric completely approved of her solo side project, lest there be any doubters out there.

It was just a nice, relaxing night of music. Nothing too exciting or complicated. Just simple.

Beer Rating:

Belle & Sebastian Live Recording

2006-09-21T20:53:00.000-07:00

I nearly fell off my chair just finding this awesome recording of the Belle & Sebastian show at the Hollywood Bowl with the Los Angeles Philharmonic. You can find the mp3s HERE.

Highlights include "Your Cover's Blown" at 3:40. At this point, I was chasing Stuart. You can hear the audience say, "crazy fan." Yup. They were referring to me.

Another one is the big orchestra crescendo during "Don't Leave the Light On Baby."

Ahhh...memories.

Ima Robot (16 September 2006)

2006-09-17T13:15:00.000-07:00

I've never seen Ima Robot before. And I heard a ton of great things about them from friends who have seen them many times before. The consensus, for the most part, is that they put on a very active show, full of crazy antics. In other words, they have great stage presence.

After missing them a couple of times at Popscene, I dared not miss them this time around. Much to my dismay, they are playing Mezzanine. It's not a bad venue, but if it gets pretty packed, it's hard to see anything going on.

I thought this show sold out a while ago, since I couldn't buy tickets on TicketWeb, but after getting into the venue, the place wasn't even close to capacity. We got there early in anticipation of that, but instead my friend and I just hung out at the back while Tempo No Tempo and Persephone's Bees played. They sounded alright, but we'd rather chew the fat than watch these guys.

Ima Robot came on around 12:30am. Didn't seem that long, but having a couple of drinks and talking about random things (world domination, other parties to go to, etc.) definitely helped. Alex Ebert, Ima Robot's lead singer, came out wearing white M.C. Hammer pants! You don't know what those are? Will this help?

Well, it isn't white, but you get the picture. Ridiculous! And let's not get into what the bass player was wearing...

They opened up their set with the first three songs from their debut L.P. "Dynomite" was just a shot of energy from the get-go. "Song #1" (not to be confused with Blur's Song 2), was also another hit of fun. At this very early point, people in the middle of the floor were just having spaz attacks. "Alive" was great as well, with people jumping around at the chorus.

To the extent peole knew them, the new songs also translated well live. "Creeps Me Out" was a very danceable tune. Ebert's rapping abilities truly appeared in this song. The lyrics are pretty clever too. I guess some guys can relate to this. Another favourite of mine from Monument to the Masses is "Eskimo Ride." I don't understand what this song is (my friend said it's about the zeitgeist mentality?) but I could care less because I was getting hyper for this song.

Absolute highlight is when Ima Robot played "Black Jettas." We went to the middle of the Ima Robot dancing circle and yelled out "Ex girlfriends! Black Jettas!" Yeah, it was fun.

Overall, great show. The only setback is they didn't play "Disconnect." Which would have made this set so much better.

Beer Rating: 1/2

New Shows Added

2006-09-12T20:18:00.000-07:00

October:

1: Sonic Youth @ The Fillmore
11: The Pogues @ The Fillmore
12: The Pogues @ The Fillmore
13: The Long Winters, What Made Milwaukee Famous @ Cafe du Nord
25: Gomez, Matt Pond PA @ Warfield
28: Figurines, Citizens Here & Abroad @ Rickshaw Stop

November:

18: Mini Pop @ Bottom of the Hill
25: Les Georges Leningrad @ Bottom of the Hill

December:

3: Imogen Heap @ Warfield

The Song of the Summer

2006-09-04T16:31:00.000-07:00

This is the song of the summer: The Rapture's "Get Myself Into It"

Cat Power (GAMH (Late Show), 29 August 2006)

2006-09-04T16:13:00.000-07:00

Oh, oh. Last time I saw Cat Power, she was with a full band and she was absolutely flawless. Definitely one of the most perfect shows I've seen in a long time. But now, she is solo and this worries me. When I saw her years ago, she was a complete mess. Barely knew how to play guitar and constantly apologizing to the crowd.

Well, this time, Chan wasn't so crazy. But she was still her eclectic self. When she came on, she was seated with her electric guitar. She asked the crowd if we would all sit down so everyone can see. So we did, and it was just ridiculously uncomfortable. I was sitting down like a pretzel. Evena contortionist wouldn't feel comfortable the way I was sitting.

Now, I wasn't too familiar with her songs other than what's on The Greatest and The Covers Album, but it wouldn't have mattered. She played the chords to one song, but then sang another. Even Cat Power fans were confused on which song she was singing. She was even doing a cover of a White Stripes song and I got confused on how that showed up all of a sudden.

People finally stood up from their aching positions and Chan played some more. Someone asked her if she still drinks, and she said she only does it once a month. I didn't know she had an alcohol problem. I guess that's why she gets all crazy on stage? I don't know, just a theory.

She came on at around 11:30 and she was still playing some more come 1 a.m. At that point, me and a lot of others in attendance, left.

What the show lacked in stage presence was redeemed when we were watching this guy try to pick up on this girl. The girl totally took advantage of him (getting 2 drinks) but he lost out. He did get her digits, but are they legit? Good luck dude. Besides, the girl was skank-a-licious so I don't even know why you tried.

Beer Rating:

The Format (Slim's, 28 August 2006)

2006-09-04T15:58:00.000-07:00

I only knew one Format song coming into this show. That song, "Time Bomb" was just a very catch indie pop tune. It was good. And I wanted to know more about these guys, so I checked them out at Slim's.

Maybe I shouldn't have. I went in there and it was an absolute teen fest. Maybe there were some older 1st or 2nd year college kids there too, but it was just too much for me to handle. I felt like I was at the Bait Shop in The OC. I was just waiting for Seth to find out that Summer is dating some other douche bag, or maybe Ryan will catch Marissa snorting coke again in the bathroom. I don't know. Whatever. I was actually hoping either of those events would happen, but it didn't happen.

Instead, I got treated to an MTV $2 bill concert gone bad. All these screaming idiots and their parents that went with them. Ugh. I needed more alcolhol to even enjoy it.

The Format, to their credit, are not bad musicians. They started off with "Dog Problems" and it was pretty good. But then it went downhill from there. I was so annoyed by everything around me that I just left and didn't even wait for "Time Bomb."

Beer Rating:

Fischerspooner (Mezzanine, 26 August 2006)

2006-09-04T15:54:00.000-07:00

This is a tad late, but the Fischerspooner show at Mezzanine a couple of weeks ago was just amazing! Fischerpooner were true to form and they put on an elaborate show that kept the sold out (and high paying) crowd entertained from beggining to end.

When I first saw Fischerspooner a couple of years ago at the Fillmore, Casey Spooner was practically lip syncing the entire set, with no reservations whatsoever. Now, he is actually singing and dancing with a full band. Costumes and all.

Although there was no large fan or him dressed up in his skivvies like at the Fillmore show, he did put on a fantastic show full of dancing. Here's a video I found on YouTube:

A little shaky, but you get the point.

All the hits from Odyssey and #1 were played. Including favourites "Emerge," "The 15th" and "We Need a War". At one point, he played "Emerge" but changed it to another song. This was just an elaborate set up obviously because they did play that song at the end. Baloons were released from the roof and all this confetti was flying all over. There was crowd surfing from the band too.

Fantastic!

Beer Rating:

The Killers (Popscene, 24 August 2006)

2006-08-27T21:02:00.000-07:00

Popscene. 10 years. Damn. I don't know whether I should be happy for this long running Indie/Britpop venue or be absolutely sickened since I've been attending this thing for 10 years. Damn. I'm old (but not that old).

10 years. Many memories. I first went to Popscene back in 1996 (!) when it was at the Cat's Cradle (now called the Cat Club). It was so much fun! Listening to Pulp, Blur, Suede, Stone Roses and Oasis out loud and dancing with like minded kids. 10 years later, some things remain the same (music) while a hella lot changes (younger kids, a somewhat uglier clientele, different music). Popscene before attracted a little niche of the music population. Now, it attracts pretty much everyone.

To celebrate its 10th year, Popscene had a big bash with the Killers. An excellent choice, in my opinion. Of course, the reunion of Pulp, Suede or The Smiths would have been more fitting, but The Killers -- I like. The last time I saw the Killers, they were dodging seat cushions. No seat cushions here. Just 300+ people sweating it out.

Spin has photos. Such as this:

And interviews with some in attendance:

Name: Colette Blair
Age: 23
Hometown: Oakland, CA
Occupation: Student
"It's a good change, because they're less Duran Duran like."

Oh, she was referring to how The Killers look like now. Less Duran Duran:

More Bradley from Project Runway:

Of course, I'm in there in my usual pose -- text messaging in the wrong line (far right, look for the white truck and the guy with his head down):

I went hella early, so got in within a reasonable time after they let us common people in (ha!).

I was determined to have fun and nobody is going to get me down. So, I went as close as possible and waited out The Killers. In the meantime, my friends and I were dancing to pass the time.

The Killers came on and they opened up with a new song I think. I'm not sure. But they played "When You Were Young" off their new album Sam's Town. Brandon Flowers started off with come keys and thanking the crowd for coming to the show (this was part of the song I think) and then the guitars launched for that song. I really like the new single, and the live version didn't disappoint. The crowd was energized, and so was I.

Then the classics from Hot Fuss came on. "Somebody Told Me" energized the crowd even more, inciting some to dance and hop around. A rather bland "Smile Like You Mean It" came shortly thereafter. I don't like that song, per se, since it's...well...bland.

New songs galore. I think some song with "Bones" came on. A cover of a David Bowie tune was in there called "When You Rock N Roll With Me" was in there somewhere. Overall, the new songs were good, but it wasn't "Wow!" The new songs sounded like a refined Hot Fuss. One song sounded very much like "Jenny Was a Friend of Mine." Another sounded like a direct rip off of a New Order track.

Then again, when I saw the Killers at Popscene eons ago, I hated them. But they were much better after listening to Hot Fuss more closely. I think the same will go for this album. I at least like 3 songs out of the 6 or 7 they played.

But the old stuff is what people wanted to hear. "Midnight Show" was played at 12:15am. "Jenny Was a Friend of Mine" was a little off. The guitars weren't as strong compared to when I heard it before. "All The Things That I've Done" was in there and it was just great to hear it. "I've got soul, but I'm not a soldier" was chanted. Yes, the lyric is just uber cheese, but I like it. And they ended their boisterous set with my personal favourite, "Mr. Brightside." Yes, the theme song to my life. Actually, everyone's life really.

I stayed a little longer post-show. Danced a bit. Then left at 2am. A fitting end and a fitting way to celebrate 10 years of Popscene. I don't know if I'll be there for the 20th anniversary (shoot me if I am), but for all the love/hate I have with Popscene, the venue always provides memories. Memories of great times with friends. Drunken moments where I would sing "Supersonic" with two random English kids and the Spaths. Some things I'd rather not remember. Lots of things I'd rather not remember. ;-) But I'll remember this one. That's for sure.

Beer Rating:

Photo Credits: The Killers Photos: Dave Keuning for Spin; Bradley Photo: FourFour

Oh No! Oh My! (The Independent, 22 August 2006)

2006-08-23T22:20:00.000-07:00

I first heard of Oh No! Oh My! through Brooklyn Vegan and was immediately impressed with the sampling of MP3s they offered for download. I heard the rest of the album and I was pleased. So, what the hell I checked out their show.

Shapes and Sizes opened up. I have never seen a bunch of fuck ups like these guys. Don't get me wrong, I like yelping and dissonance if artfully done. But these guys have no musical talents whatsoever. Finger picking guitars as if they just learned how to play two days ago. Playing the keys as if it was just there to bang on. Singing and harmonizing so off key that dogs will howl in disgust. At least the bass player and drummer had some skills, but the girl and the other guy? No way. And playing the banjo? Look, playing the banjo is all good if done right and in the right time. But, there was no right moment to play the fucking banjo in any of your songs. Alright? Geez. I was pissed that I had to sit through that crap.

A friend said that I should harshly review Shapes and Sizes but make a disclaimer just in case they get better. That way I will save face. Fuck that. They're horrible and I will not change that stance. But, prove me wrong, you know?

Oh No! Oh My!, thank God, finally came on. They started off with "Skip the Foreplay" from their self-titled album. I like that song, and glad they played it. They followed it with "I Have No Sister." After that, everything else was a wash. I think I was still pissed with Shapes and Sizes that I truly didn't appreciate Oh No! Oh My! I was literally falling asleep after the 3rd or 4th song. So, I left.

Don't get me wrong, Oh No! Oh My! are pretty good. They don't have the stage presence that will keep your eyes focused on them. But, their music will keep your ears attentive.

Beer Rating:

More New Shows

2006-08-18T18:38:00.000-07:00

October:

8 & 9: The Killers @ The Warfield

November:

11: Riott Festival @ Bill Graham Civic Auditorium featuring:

Metric
Explosions in the Sky
Asobi Seksu
The Wrens
Diplo
Girl Talk
Tokyo Police Club
Clipse
Sage Francis
SA-RA Creative Partners
Saul Williams
Breakestra
RX Bandits
Visionaries
The Presets
Weird Science
Showbread
Busdriver
Fall of Troy

More New Shows Added

2006-08-17T02:23:00.000-07:00

August:

22: The Mountain Goats @ Amoeba S.F.

September:

16: Ima Robot @ Mezzanine

October:

7: Futureheads @ Mezzanine

November:

18: The Slits @ Mezzanine

New Shows Added

2006-08-16T00:18:00.000-07:00

August:

24: The Killers @ Popscene
31: The Otherside @ Cafe du Nord

September:

20: Guns N Roses @ The Warfield
21: Guns N Roses @ The Warfield
29: Drunk Horse @ Rickshaw Stop

October:

5: The Stills @ The Independent
5: Billy Bragg @ GAMH (late show)
13: Kasabian @ The Independent
20: The Dresden Dolls @ Bimbo's
21: The Dresden Dolls @ Bimbo's
23: Cursive, The Thermals & Chin Up Chin Up @ The Fillmore
24: She Wants Revenge & Placebo @ The Warfield

November:

21: Mates of State @ GAMH
22: Mates of State @ GAMH

Secret Band for Popscene Party

2006-08-15T23:23:00.000-07:00

I think it's pretty damn obvious who Popscene's secret band is.

Don't you?

If you don't know....

....it's the Killers.

Yeah Yeah Yeahs (McCarren Pool, Brooklyn, NY 12 August 2006)

2006-08-15T23:18:00.000-07:00

New Yorkers have this term called "summering." It's like "simmering", given that New York summers tend to be hot and humid, but there is also certain non-essential factors involved in that term. For Brooklynites living in Williamsburg, it involves wearing hipster clothes, a bottle of rosé, oversized sunglasses, shorts that are either (a) American Apparel or (b) altered from a pair of old jeans and, of course, either (a) cool hair or (b) one of those communist hats that Castro would wear.

In 2006, another factor was added to the term "summering" for Brooklynites: a concert at McCarren Pool.

McCarren Pool is, obviously, in McCarren Park. It's nothing but an abandoned pool that looks like shit. However, the place has a certain charm to it. Given the amount of people in there and the festive mood.

And it was fairly obvious that a majority of people there were "summering" even before the show. I know I was at P.S. 1.

The YYYs and Sonic Youth were the next installment in this summer concert series at said pool. Unlike the others this is a paying show, which makes sense because it subsidizes the free shows. There was a fair amount of people at McCarren today, basking in the warm NY sun. The temperature, atmosphere and the crowd couldn't have been better.

YYYs came on and they opened up with "Black Tongue." Karen O. was dressed up in her (un)usual dress. Nick is the same as always. And so is that other guy. Oh, and the second guitarist was there too. The YYYs didn't exactly move the crowd much other than getting them to stand up instead of sit down.

A plethora of new songs from the rather "okay" record Show Your Bones was played. My personal favourite, "Cheating Hearts" was great although it didn't quite move me as much as before. "Gold Lion" was also quite good, but it wasn't necessarily groundbreaking by any means.

I think the reason why the YYYs were so "ok" was: (1) I was summering way too long before the show and (2) the fact that they played when the sun was still out detracted from the usual panache that accompanies each YYYs show. I mean, how can one appreciate Karen O's dress and theatrics without the lights colorful lights shining on it? You can't. At least that much.

Beer Rating:

More New Shows Added!!! (Updated 10 August)

2006-08-07T22:18:00.000-07:00

August:

29: Cat Power @ GAMH (8:30 p.m.)
29: Cat Power @ GAMH (10:30 p.m.)
31: Razorlight @ Popscene

September:

22: DJ Shadow @ Greek Theatre
28: Silversun Pickups @ Rickshaw Stop
29: Scissor Sisters @ The Warfield
30: Scissor Sisters @ The Warfield
30: Supersystem @ Rickshaw Stop

October:

5: The Dears @ Popscene
12: Lily Allen @ Popscene
16: Badly Drawn Boy @ GAMH
20: Secret Machines @ The Grand
21: Two Gallants @ Bottom of the Hill
22: Two Gallants @ Bottom of the HIll
26: The Kooks @ Popscene

November:

1: MSTRKRFT @ Mezzanine
3: The Knife @ Mezzanine
10: The Beautiful South @ The Fillmore
14: Lady Sovereign @ Mezzanine

New Shows Added

2006-08-07T08:32:00.000-07:00

Very excited for this one:

November:

3: The Knife @ Mezzanine

It's on sale now. So, go buy it!

---------------------

Another addition:

October:

20: Secret Machines @ Grand Ballroom

New Shows Added

2006-08-04T00:25:00.000-07:00

August:

4: Club Loaded @ Rickshaw Stop
25: Fischerspooner @ Mezzanine

September:

6: Cocorosie @ GAMH
8: Feist @ The Fillmore
13: Adam Green @ The Independent
28: Mojave 3 @ Slim's

October:

2: We Are Scientists and Art Brut @ The Fillmore
7: Magnolia Electric Co. @ GAMH
8: Keane and Midlake @ Berkeley Greek Theatre
10: Sufjan Stevens @ Zellerbach Hall
13: Clap Your Hands Say Yeah @ The Warfield
17: The Hold Steady @ GAMH
18: Boris @ Slim's
19: The Decemberists @ The Warfield
19: Yo La Tengo @ The Fillmore
20: Yo La Tengo @ The Fillmore
21: Yo La Tengo @ The Fillmore
30: Tricky @ The Independent
31: Tricky @ The Independent

November:

21: Hot Chip @ Mezzanine

New Shows Added (Updated 29 July 2006)

2006-07-26T00:44:00.000-07:00

August:

30: Jeremy Enigk @ GAMH

September:

1: Sparta, Silversun Pickups and Communique @ Popscene
14: Tortoise @ GAMH

October:

2: Art Brut and We Are Scientists @ The Fillmore
11: Calla, Longwave @ Slim's
19: The Decemberists @ The Warfield
20: Detroit Cobras @ Bottom of the Hill
24: Be Your Own Pet @ Bottom of the Hill
27: ESG @ Mezzanine
30: Bonnie Prince Billy @ GAMH
31: Bonnie Prince Billy @ GAMH

November:

4: Voxtrot @ Slim's
5: Mojave 3 @ Bimbo's
18: TV On the Radio, Kiss Me Deadly @ Slim's

More B&S Hollywood Bowl Photos

2006-07-22T16:32:00.000-07:00

I found these pics of me dancing with Stuart on Flickr. Thanks to spartus for taking these shots!

Me asking my friends to take a picture of me!

Is that Stuart?

Looks like I'm slapping him.

I think we were conversing at this point.

Thanks for dancing!

Camera Obscura (GAMH, 20 July 2006)

2006-07-22T10:08:00.000-07:00

I walked into the Great American Music Hall just in time to catch Camera Obscura play their first song. I forgot what that first song was (probably something off of their new album Let's Get Out of This Country) but it was apparent that this was going to be a good show. The band's insturmentation complimented Tracyanne Campbell's angelic voice almost instantly. It also helps that the GAMH's mixing desk was in top form tonight.

Songs from the new album dominated the set. Definite highlights was the upbeat Lloyd Cole inspired song "Lloyd, I'm Ready to Be Heartbroken" and the dancey, with that Green Day sounding opening bass, song "If Looks Could Kill." The 60's infused pop sound was just all over these songs and the crowd danced in their own little, confined space way. The live versions of these songs was a little bit more rough than the album (obviously) but it was still very enjoyable. Synchronized clapping happened during "I Need All the Friends I Can Get," again with its 60's pop sounding guitar.

Older songs from Underachievers Please Try Harder include the slow and pretty "Suspended from Class" and "Keep it Clean." The crowd also got a kick when the band ended their encore with the Stuart Murdoch produced "Eightie's Fan" from Biggest Bluest Hi-Fi. Lyrics like "tell me, do you wash your hair with honeydew?" just makes this song ooze with tweeness.

Just twee. Twee all over the place. Everyone was twee. Even the tough looking Camera Obscura members looked way too twee. It was just twee-tastic.

Beer Rating: 1/2